Updated on 2024/02/25

写真a

 
MIURA, Reiya
 
Affiliation
Faculty of Letters, Arts and Sciences, School of Culture, Media and Society
Job title
Research Associate
Degree
修士(文学) ( 早稲田大学 )

Research Experience

  • 2023.04
    -
    Now

    Waseda University   Faculty of Letters, Arts and Sciences   Research Associate

  • 2022.04
    -
    Now

    Daito Bunka University   Faculty of Law Department of Law   Part-time Lecturer

  • 2015.04
    -
    2017.03

    Japan Society for the Promotion of Science   Research Fellow (DC2)

Education Background

  • 2014.04
    -
    2023.03

    Waseda University   Doctoral course, Graduate school of Letters, Arts and Sciences   Course of Russian Studies  

  • 2011.04
    -
    2014.03

    Waseda University   Master Course, Graduate School of Letters, Arts and Sciences   Course of Russian Studies  

  • 2003.04
    -
    2011.03

    Waseda University   Faculty of Political Science and Economics   Department of Political Science  

  • 2006.09
    -
    2007.06

    Moscow Lomonosov state University, Faculty of Fine Arts   Faculty of Fine Arts  

  • 2006.09
    -
    2007.06

    Moscow State Conservatory   Department of Opera and Symphony Conducting  

Research Areas

  • Aesthetics and art studies / European literature / History of thought / Theory of informatics / Information network / Computer system

Research Interests

  • Russian Music

  • History of Russian philosophy of Music

  • Russian Literature

  • Aesthetics

  • Philosophy of Music

  • Comparative History of Music

  • History of Western Aesthetics

  • Philosophy of Information

  • Information Theory

  • History of Information Technology and Arts

  • Informatics

▼display all

 

Papers

  • The Originality of Russia on Comparative History of “Musical Nationalism”: Around the Thought of “Universal” and “National”

    Reiya MIURA

    Bulletin of the Graduate Diviosion of Letters, Arts and Sciences of Waseda University   ( 67 ) 353 - 368  2022.03  [Refereed]

  • Problems about Fundamental Education of Informatics for Students of Cultural Sciences: Around the Education in Mathematics in Secondary Schhool and in Higher Educationi in Mathemarica in

    Reiya MIURA

        71 - 76  2021.11  [Domestic journal]

  • Thought of Music of V. F. Odoyevsky in the novel "Russian Nights"

    Reiya MIURA

    Literature and Philosophy: From Romanticism to 20th Century - 150th anniversary of the death of V. F. Odoyevsky, Series "Russian Literature and Philosophy: Through Interaction"   3   194 - 204  2019.11  [Refereed]  [International journal]

  • V.F.Odoyevsky's Musical thought in his novel "Russian Nights" ― Among Natural Philosophy and Natural Science, Neoplatonism and German Idealism.

    Reiya MIURA

    Bulletin of the Graduate Diviosion of Letters, Arts and Sciences of Waseda University   ( 64 ) 391 - 407  2019.03  [Refereed]

  • Some issues of the philosophy and aesthetics of music in the works by V. F. Odoyevsky

    Reiya MIURA

    Solovyov Studies   2 ( 54 ) 82 - 91  2017  [Refereed]  [International journal]

     View Summary

    The treatises on philosophy and aesthetics of music of 1820s by V.F. Odoyevsky are analysed as the first experience of systematic explanation of musical-aesthetical views in Russian musical thought. The concept of the philosophy of music of V.F. Odoyevsky is considered, it is based on ideas of Kant and Schelling, partly Boethius, Baumgarten, Hegel, Galvani, Ørsted, Ampère as well as great knowledge of the history of music and philosophy by Odoyevsky. Fundamental principles of Odoevsky’s concept are pointed out: the essence of music is in mathematical harmony; the laws of art are equal to the laws of nature; the laws of logic and natural philosophy are in the basis of philosophy of music. Two periods in the development of musical-critical work of Odoyevsky are pointed out: «pre-glinka period» and «post-glinka period». The features of Odoyevsky’s musical thought are marked: his devotion to the aesthetics of romanticism and his being interested in German music and fundamentalistic attitude to music as it is. Attention is paid to the fact that thinking over relation between dynamism of harmony and musical emotion Odoyevsky refers to electrophysiology of the Italian physiologist of the 18th century Luigi Galvani. The evolution of musical-aesthetical views of Odoyevsky is raced and by means of reconstruction of his position actual issues of philosophy and aesthetics of music are defined. In the conclusion it is stated that Odoyevsky created his own philosophy of music from different philosophical ideas on the methodological basis of dialectics of German idealism.

  • V. F. オドーエフスキーの活動初期における音楽思想 ー その評論と論文から

    三浦 領哉

    第66 回美学会全国大会 若手研究者フォーラム発表報告集     27 - 34  2016.03  [Refereed]  [Domestic journal]

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Books and Other Publications

  • キーワードで読む オペラ/音楽劇 研究ハンドブック

    丸本隆, 荻野静男, 佐藤英, 佐和田敬司, 添田里子, 長谷川悦朗, 東晴美, 森佳子( Part: Contributor, ロシア)

    アルテスパブリッシング  2017.03 ISBN: 9784865591583

Research Projects

  • Cross-regional Comparative Study of the Idea of "Musical Nationalism" in the European Periphery

    Japan Society for the Promotion of Science  Grants-in-Aid for Scientific Research <KAKENHI>, Research Fellowship for Young Scientists

    Project Year :

    2023.08
    -
    2025.03
     

    Reiya MIURA

  • Development of Aesthetics of Music in Russia in the First Half of the 19th Century

    Japan Society for the Promotion of Science  Grants-in-Aid for Scientific Research <KAKENHI>, Research Fellowship for Young Scientists

    Project Year :

    2015.04
    -
    2017.03
     

 

Teaching Experience

  • Research Skills in Data Processing B

    Daito Bunka University  

    2022.09
    -
    Now
     

  • Research Skills in Data Processing A

    Daito Bunka University  

    2022.04
    -
    Now