シャオ リチュン (シャオ リチュン)

写真a

所属

国際学術院 国際教養学部

職名

准教授

兼担 【 表示 / 非表示

  • 国際学術院   国際コミュニケーション研究科

学歴 【 表示 / 非表示

  • 1998年08月
    -
    2004年09月

    State University of New York at Buffalo   Graduate School of Arts and Science   Comparative Literature  

  • 1991年09月
    -
    1995年06月

    National Taiwan University   Graduate School of Liberal Arts   Foreign Languages and Literatures  

  • 1987年09月
    -
    1991年07月

    National Chung Hsing University   College of Liberal Arts   Foreign Languages and Literatures  

学位 【 表示 / 非表示

  • State University of New York at Buffalo   Ph.D.

  • State University of New York at Buffalo   Ph.D.

 

研究分野 【 表示 / 非表示

  • 英文学、英語圏文学

研究キーワード 【 表示 / 非表示

  • Postcolonial Theory, Anglophone Postcolonial Literatures, Caribbean Literatures and Cultures, Literary and Cultural Theories, Psychoanalysis, Modernism, Contemporary Taiwan literature and Culture

論文 【 表示 / 非表示

  • Staging the World: Cross-Cultural (Il)literacy, Taiwan’s Mobile Stage Phenomenon, and Shen Chao-liang’s Stage Series

    HSIAO, Li-Chun

    Critical Arts South-North Cultural and Media Studies   34 ( 5 ) 87 - 106  2020年12月  [査読有り]  [国際誌]

     概要を見る

    ABSTRACT
    Through the lens of the photographer Shen Chao-liang, this paper examines the cultural ramifications of the mobile stages (fitted into and folded out of the backs of modified trucks) of Taiwanese roving vaudeville troupes—a common sight in the towns outside of Taiwan’s cities that, however, remains largely oblivious to public and media attention. What characterizes these stages in recent decades are the easily recognizable “global images” featured prominently on the backdrops—such as the Sydney Opera House, Hello Kitty, Arc de Triomphe, etc.—often in gaudy colours and tacky patterns, sometimes oddly juxtaposed. Based on both the mobile stage phenomenon and Shen’s representations, I explore what cultural literacy might entail and mean when it comes to cross-cultural encounters, as well as the “self-emptying” gesture in Taiwanese society’s enthusiastic embracement of “the world” from which, it perceives, it is relegated to insignificance. Shen sought to capture the image of the plebeian society in Taiwan by documenting the roving vaudeville troupes, but wound up focusing on the stage that showcases little to none of the cultural characteristics or elements of Taiwan known to either the locals or the outsiders, enacting a form of art mediation that does not simply suture the constitutive split in its photographic representations.

    DOI

  • (Un)timely Reflections: Reading the Chinese Translation of Shu-mei Shih’s Visuality and Identity: Sinophone Articulations across the Pacific

    HSIAO, Li-Chun

    Chung Wai Literary Quarterly   43 ( 1 ) 213 - 222  2014年03月

    DOI

  • Theoretical Thinking on the Fault Lines of Theory, Commonsense, and Reform

    HSIAO, Li-Chun

    Chung Wai Literary Quarterly   43 ( 1 ) 15 - 58  2014年  [査読有り]

    DOI

  • Color (Un)conscious: Psychoanalysis, Resistance, and the Specter/Spectacle of Race

    HSIAO, Li-Chun

    Concentric: Literary and Cultural Studies   36 ( 1 ) 159 - 187  2010年  [査読有り]

    DOI

  • The Corruption of Slaves into Tyrants’: Toussaint, Haiti, and the Writing of Postcolonial Trauma postcolonial trauma

    HSIAO, Li-Chun

    JOURNAL OF THE MIDWEST MODERN LANGUAGE ASSOCIATION   41 ( 1 ) 67 - 77  2008年  [査読有り]

    DOI

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書籍等出版物 【 表示 / 非表示

  • The Indivisible Globe, the Indissoluable Nation: University, Postcoloniality, and the Formation of National Literature

    HSIAO, Li-Chun( 担当: 単著)

    Stuttgart: ibidem Press, distributed by Columbia University Pres  2021年 ISBN: 9783838215242  [査読有り]

  • Keywords for Theory/Taiwan, Book chapter: De/fault

    HSIAO, Li-Chun, Eds.Dung-sheng Chen, Chia-ling Mei, Chaoyang Liao, Shu-mei Shih( 担当: 分担執筆)

    Taipei: Unitas  2019年03月

    ASIN

  • Comparatizing Taiwan/ Book chapter: Far-fetched Lands: The Caribbean, Taiwan, and Submarine Relations

    HSIAO, Li-Chun, Eds.Ping-huei Liao, Shu-mei Shih( 担当: 分担執筆)

    New York: Routledge  2015年

  • Feminist Criticism / Postcolonialism

    Eds. Kuei-fen Chiu, Li-Chun Hsiao

    Taipei: Council of Cultural Development of Executive Yuan, Taiwan  2010年

  • Representing Humanity in an Age of Terror/ Book chapter: The Black Body and Representations of the (In)human.” Thematic issue “Representing Humanity in an Age of Terror

    HSIAO.Li-Chun, Eds. Sophia, A. McClennen, Henry James Morello

    Purdue University Press  2010年 ISBN: 155753568X

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特定課題研究 【 表示 / 非表示

 

現在担当している科目 【 表示 / 非表示

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