Updated on 2024/05/21

写真a

 
MATSUNAGA, Noriko
 
Affiliation
Faculty of Education and Integrated Arts and Sciences, School of Education
Job title
Professor
Degree
Ph. D. in English Literature ( Ochanomizu University )

Research Experience

  • 2018.04
    -
    Now

    Waseda University   School of Education

Committee Memberships

  • 2023.01
    -
    Now

    日本ヴァージニア・ウルフ協会  運営委員長

  • 2019.01
    -
    2022.12

    日本ヴァージニア・ウルフ協会  例会委員

  • 2017.01
    -
    2018.12

    日本ヴァージニア・ウルフ協会  編集委員

  • 2015.01
    -
    2016.12

    日本ヴァージニア・ウルフ協会  事務局・記念論集編集委員

  • 2009.09
    -
    2015.08

    新英米文学会  編集委員

Professional Memberships

  •  
     
     

    The Virginia Woolf Society of Japan

  •  
     
     

    Japan Women's History Network

  •  
     
     

    The Gender History Association of Japan

  •  
     
     

    New Association for English and American Literature

  •  
     
     

    The English Literary Society of Japan

Research Areas

  • English literature and literature in the English language

Research Interests

  • modernism/ modernity

  • gender

  • feminism

  • English literature

 

Papers

  • リレー連載文化と社会を読むキーワード辞典reboot第10回ボランティア

    松永 典子

    『研究社WEBマガジンLingua』   7 ( 3号/総号313号 )  2020

  • Dreaming of Sisterhood in the British Art Deco Era: Feminist Infrastructure and Leaning Tower Writers' Materials

    MATSUNAGA Noriko

      36号   121 - 139  2019.11  [Refereed]

  • The Way You/We Are

       2019.04

  • 「わたしを知らないなんて言わないで」:『メアリー・ポピンズ』におけるケア労働

    松永 典子

    『New Perspective』(新英米文学会誌)   204号   5 - 17  2017.03  [Refereed]

  • チック・リットとしての"ポスト"サフラジスト小説:エヴァドネ・プライス『そんなに静かではない・・・』におけるシスターフッド・労働・自伝

    松永 典子

    『ヴァージニア・ウルフ研究』(日本ヴァージニア・ウルフ協会誌)   31号   15 - 37  2014.10  [Refereed]

  • Joan's Claim : The Concept of 'Kinship' in Bernard Shaw's Saint Joan

    Matsunaga Noriko

    Virginia Woolf Review   30号   27 - 44  2013.10  [Refereed]

     View Summary

    A new kind of anti-feminist movement has developed, one that Angela McRobbie and others have labelled 'post-feminism': an attempt to fragment feminist solidarity and diminish its societal contributions. This article explores the broader significance of contemporary feminism, and presents a new paradigm of kinship based on women's relationship to the state. More specifically, it investigates the representation of women within the British suffrage movement. Joan of Arc was an icon of the British suffrage movement during the early twentieth century, and she was portrayed as a heroine in Bernard Shaw's play Saint Joan (staged in 1923, published in 1924). Simultaneously, I examine the cross-cultural taboo of incest in relation to kinship, and the concept of 'promiscuous obedience' developed by Judith Butler in Antigone's Claim: Kinship Between Life and Death. Butler and Shaw perceive Antigone and Joan respectively as women who were persecuted by the state because of their 'manly' behaviour and speech. By analysing Joan's strategies during the turbulent war, the article describes how Shaw's female protagonist attempted to defamiliarize the meaning of 'kinship'. Shaw's Joan created a new paradigm of kinship that challenged normative gender and sexual roles. Based on the conclusions of my analysis, I demonstrate that feminism continues to play a role in contemporary society.

    DOI CiNii

  • 彼/女は英国人作家か? :ヴァージニア・ウルフ『オーランドー』における性と人種の境界

    松永 典子

    『New Perspective』(新英米文学会誌)   188号   15 - 26  2009.02  [Refereed]

  • The Diplomatic Art of Biography in Harold Nicolson's Works : Modernism Reconsidered from Auto/Biography

    MATSUNAGA Noriko

    Journal of the Graduate School of Humanities and Sciences   8号   95 - 102  2006.03  [Refereed]

     View Summary

    The diplomatic essays of Harold Nicolson (1886-1968) have been considered classics in the field of International Relations, while his biographical essays and fictions have largely been neglected by English literary critics. In a similar vein, poetry and fiction have dominated as subjects for analysis among the critics of modernism while autobiography and biography have been much less studied. Although the present literary studies largely disregard modernist biography and Nicolson, they were widely discussed and read among their contemporary biographers. For instance Virginia Woolf introduced Some People (1927) as a modern biography for the modern world, and appraised the new method that Nicolson created. This article attempts to reexamine modernism in terms of auto/biography, focusing on the new phase of biography Nicolson introduced. His auto/biography, which articulates war experiences as a postwar writing, is here analysed in diplomatic as well as biographical terms. In conclusion, I propose that he reproduce the new imperial citizenship through his new writing. Furthermore this essay also investigates the political unconscious of this period by the examination of biographical essays of Woolf and Sydney Lee as well as of Nicolson.

    CiNii

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Books and Other Publications

  • Memories and Records: A Hundred Years of Women's Experiences

    ( Part: Contributor, One Hundred Years of Testament of Youth: Women Dreaming of “Having It All”)

    2023.03 ISBN: 9784750355641

  • Art Deco and English Modernism: Redesigning the Cultural Space in the Twentieth Century

    ( Part: Joint editor)

    2021.05 ISBN: 9784909812575

  • Feminism Unfinished: Language, Desire, and "Working" Women

    ( Part: Joint editor)

    2016.09 ISBN: 9784327472337

  • 『マクミラン版世界女性人名大辞典』

    ジェニファー・アグロウ編, 竹村和子監訳( Part: Joint translator, 主に文学および音楽関係項目)

    国書刊行会  2005.01 ISBN: 9784336043962

Presentations

  • Reading English Literature and Feminism in Japan in the #MeToo Era Angry Young Women in Shelagh Delaney’s A Taste of Honey

    MATSUNAGA Noriko

    The 4th Japan-Korea International Virginia Woolf Conference 

    Presentation date: 2019.11

  • Feminist Temporalities and Modernism: Remapping Virginia Woolf’s ‘Works'

    MATSUNAGA Noriko

    The Modernist Studies in Asia Network (MSIA) Second International Conference: Modernism and Multiple Temporalities  (Aoyama Gakuin University) 

    Presentation date: 2019.09

  • ふつうのフェミニスト?

    松永 典子

    日本英文学会第91回全国大会シンポジウム第四部門「Literature is Ordinary?ーー20世紀の英文学と〈ふつうの人びと〉」 

    Presentation date: 2019.05

  • 英国モダニズムのシスターフッド?

    松永 典子  [Invited]

    日本ヴァージニア・ウルフ協会第38回大会シンポジウム「アール・デコ時代の英国モダニズム」 

    Presentation date: 2018.11

  • Domestic Care Work and Postsuffragism/Postfeminism: Housewife, Nanny, and Servants in Mary Poppins

    松永 典子

    Women’s History Network Conference 2018 

    Presentation date: 2018.09

  • Zine as Applied Literature for Feminism

    松永 典子

    カルチュラル・タイフーン2018 

    Presentation date: 2018.06

  • ヴェラ・ブリテン『若者の証』における「働く」女の「成長」小説

    松永 典子  [Invited]

    日本ギャスケル協会第28回大会シンポジウム 

    Presentation date: 2016.10

  • フェミニズムとしての映画『678』

    松永 典子  [Invited]

    日本・アジアに関する教育研究ネットワーク(ASNET)および中東映画研究会共同開催シンポジウム『アジアを知る:エジプト映画 『678』から』 

    Presentation date: 2016.01

  • 英国大戦間期の女の職業選択と主体構築

    松永 典子  [Invited]

    日本ヴァージニア・ウルフ協会第33回大会ワーク・イン・プログレス 

    Presentation date: 2013.11

  • Nursing Culture during the Interwar Period in Britain

    松永 典子

    Health and Illness in Culture, 於Center for the Study of Languages and Cultures (CSLC), Taipei Medical University (TMU) 

    Presentation date: 2012.12

  • Cultural Representations of Joan of Arc during the British Interwar Period

    松永 典子

    The 10th Annual Hawaii International Conference on Arts and Humanities 

    Presentation date: 2012.01

  • The Transnational Queer Representation in Vita Sackville-West’s Saint Joan of Arc

    松永 典子

    National Chengchi University Top University Program: Popular Culture and (Post-)Modernity 2010 International Conference 

    Presentation date: 2010.11

  • Driving Away the Angel in the House

    松永 典子

    Glocal Imaginaries: Writing/ Migration/ Place 

    Presentation date: 2009.09

  • 偉大なる志願兵:伝記作品における死の修辞学

    松永 典子  [Invited]

    英語圏文化研究会第4回大会シンポジウム「第一大戦と記憶」 

    Presentation date: 2006.12

  • 越境するオーランドー、帰還するオーランドー

    松永 典子

    お茶の水女子大学COEプログラム第2回F-GENSシンポジウム、若手研究者企画セッション分科会A「境界に挑戦する:ジェンダー、人種、階級、国家―」 

    Presentation date: 2005.11

  • ある伝記作家の外交術:Harold Nicolson, Some People

    松永 典子

    日本英文学会第77回全国大会 

    Presentation date: 2005.05

  • Seven Pillars of Wisdom再考

    松永 典子

    日本比較文学会第66回全国大会 

    Presentation date: 2004.06

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Research Projects

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Misc

  • Think When the Comet Comes Round Again: Commentary on Lucy Kirkwood's _The Welkin_

    The Welkin     224 - 237  2022.06  [Invited]

  • Reading Asako Nakai's _The Coming of "We the People"_: "Modernism" of "We the People"

    Virginia Woolf Review   38   114 - 118  2021.11

  • "Introduction": (Re)thinking the Past, Present and Future of Our Research/Education

    Virginia Woolf Review   37   60 - 67  2020.12

  • Clare Battershill, _Modernist Lives: Biography and Autobiography at Leonard and Virginia Woolf's Hogarth Press_

    松永 典子

    『ヴァージニア・ウルフ研究』(日本ヴァージニア・ウルフ協会誌)   35号   80 - 84  2018.11  [Invited]

  • Aftermath of Fighting Princesses, Working Girls: The Stateless at Home

      35号   24 - 28  2018.11

  • 共感とシスターフッド

    松永 典子

    『女性とジェンダーの歴史』(イギリス女性史研究会)   3号   54 - 55  2017.03  [Invited]

  • フェミニズムを自分/他人のこととして語る

    松永 典子

    『月刊女性&運動』   415号   35 - 35  2017.03  [Invited]

  • Hiromi Ochi and Shintaro Kono, eds., "Recognition" and "Redistribution" in Gender: Disparity, Culture and Islam, Sairyusha, 2015

    Matsunaga Noriko

    Virginia Woolf Review   32号   132 - 136  2015.10  [Invited]

    Book review, literature introduction, etc.  

    DOI CiNii

  • Owen Jones, Chavs: The Demonization of the Working Class:社会運動を阻害するモノ

    松永 典子

    『New Perspective』(新英米文学会誌)   200号 ( 2 ) 71 - 73  2015.02

    CiNii

  • Introducing Japanese Literature: Shirota Suzuko, Mary's Song of Praise

    松永 典子

    『New Perspective』(新英米文学会誌)   194号   na  2012.01

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Syllabus

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Sub-affiliation

  • Faculty of Education and Integrated Arts and Sciences   Graduate School of Education

  • Affiliated organization   Global Education Center

Internal Special Research Projects

  • ポスト大戦の英語圏の女性文学

    2018  

     View Summary

     本発表では、近年のミドルブラウ文化研究にも注目しながら、ウルフと文壇との論争から英国モダニズムの再読を試みた。ただし、ここで論じるのは、有名なアーノルド・ベネットとの文壇論争ではなく、ウルフとデズモンド・マカーシなど彼女の同時代の男性知識人作家との論争である。本発表では、1920年にはじまる雑誌上でのマカーシーとの一連の論争、および、1940年発表の講演原稿「斜塔」とりわけそこで提示された共産主義知識人としてのオーデン・グループへの批判的言説を取りあげることにより、大衆ユートピアのヴィジョンとプロジェクトを包含するアール・デコと英国モダニズムそしてシスターフッドとの関係を、考察した。具体的には、ウルフの想定する女性作家および読者を、アール・デコ期という歴史性において英国モダニズムのシスターフッドという観点から再解釈を試みた。