WADA, Osamu

写真a

Affiliation

Faculty of Letters, Arts and Sciences, School of Culture, Media and Society

Job title

Associate Professor

Concurrent Post 【 display / non-display

  • Affiliated organization   Global Education Center

Degree 【 display / non-display

  • 早稲田大学   文学修士

Professional Memberships 【 display / non-display

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    民俗芸能学会

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    芸能史研究会

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    日本歌謡学会

 

Research Areas 【 display / non-display

  • Japanese literature

  • Cultural anthropology and folklore

Research Interests 【 display / non-display

  • Aesthetics (incl. Arts),History of Japanese Drama,folklore studies

Papers 【 display / non-display

  • 『芝居絵に見る/江戸・明治の歌舞伎』

    和田 修

    小学館     4 - 43  2003.07

  • 『小松市史 資料編5/曳山』

    和田 修

    新修小松市史編集委員会     90 - 129  2003.03

  • 「『安永四年金沢芝居再興』をめぐる考察」

    和田 修

    『石川県史資料』近世編(4)     14 - 18  2003.03

  • 『鹿児島県東郷町文弥節人形浄瑠璃調査報告書』

    和田 修

       2002.03

  • 『大鹿歌舞伎 研究編』

    和田 修

    大鹿村教育委員会    2000.03

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Books and Other Publications 【 display / non-display

  • 対馬における芸能と村落

    和田 修

    海のクロスロード対馬  2007.03

Research Projects 【 display / non-display

  • 佐渡古浄瑠璃の研究基盤構築とデジタル化保存に関する総合的研究

    Project Year :

    2020.04
    -
    2025.03
     

     View Summary

    新潟県佐渡島には、「古浄瑠璃」による人形芝居が伝承されている。近世期の古態を残し、義太夫節では廃絶した近松門左衛門の作品を、今も上演する佐渡の古浄瑠璃人形芝居は、日本の伝統芸能史上、注目すべき特異な芸能である。本研究では、現在までの個別的研究を総括し、今後の佐渡古浄瑠璃研究の推進に向けた研究基盤を構築する。さらに、早稲田大学演劇博物館などの所蔵機関の協力を得、現地伝承者や研究者の利用が可能となるよう、佐渡古浄瑠璃の音声・映像資料のデジタル化保存、および公開を目指す。こうした総合的研究の成果により、貴重な伝統芸能である佐渡古浄瑠璃人形芝居の、国内外への普及と保存、未来への伝承を期すものである

  • Research of rice field formation and the water field rice culture in east Asia (Center on Japan)'.

    基盤研究(B)

    Project Year :

    2002
    -
    2003
     

     View Summary

    The purpose of this research is to clarify the characteristic of the rice field society which extends to east Asia. Tsushima and Bali were chosen as the investigation field. It aimed to clarify a traditional form of the rice field and the village on these ground, and to do the comparison research on the water field rice culture. The digitalization of the survey material with a remarkable evolution was positively used now, and the restoration research on the rice field, the village, and etiquette was advanced interdisciplinary.
    The focus was decided in 豆酸(ツツ) located in the south end in Tsushima. An environment of the rice field where the red-kerneled rice divine service was held and historical details of the etiquette were investigated on this ground. In that case, it gave priority to digging up the history material. It investigated emphatically in the Tsushima history folk customs material pavilion. Nagasaki prefectural library, and Kongoin Temple, etc. The historical materials of about 6000 points was digitalized. These were input to the personal computer, it made to the table at once, and it used it to investigate the restoration. Moreover. 1/2000 topographical maps were made from the aerophotograph in this region by digital work, historical materials was used, and the spectacle restoration was advanced. As mentioned above, a pinpoint investigation of the village was advanced, and it served to clarify a historical role of Tsushima in this sea area.
    On the other hand, the existence of the autonomous village having been supported by the etiquette of Hinduism so far was known in Bali. Terraced paddy fields exist in whole island in Bali, and progressing the arts of the play, music, the sculpture, and the painting, etc. has been paid to attention. Mainly this time. Subak (irrigation organization in Bali) was investigated. The comparison research in the rice field irrigation form named Bali Basangalas and Tsushima Tsutsu (豆酸) was done. As a result, the traditional irrigation form of the Bali village having evolved more than Japan became clear. These results were able to be brought together in the report 'Research of rice field formation and the water field rice culture in east Asia (Center on Japan)'.

  • アジア地域文化に関する共同研究:演劇

    学術フロンティア推進事業

    Project Year :

    1998
    -
    2002
     

  • Study of local spread of the stage entertainments in the Edo period

     View Summary

    It is the purpose of my research, to know how the play in the early Edo period was transmitted to the Japanese whole country. From 2004 to 2006,1 took up "Furyu-Odori" and "Kojoruri-Ningyo" as the material, and investigated several points.1. I investigated "Bon-Odori", that is handed down to Tsushima Island of Nagasaki Pref. My survey item was the route, historic changes, present transmission situation and folklore of "Tsushima Bon-Odori". "Tsushima Bon-Odori" differs largely from "Bon-Odori" in the latter Edo period. However, there is the common point called "Bon Furyu-Odori" in them. I evaluate "Tsushima Bon-Odori" was carried out in the mainland and handed down to until today. "Tsushima Bon-Odori" was based on various "Furyu-Odori". In 2004, I investigated "Furyu-Odori" of Tsushima Island periphery area and also Kyushu all area. In 2005, I investigated "Furyu-Odori" of Kyushu northwest department in detail. In 2006, I investigated "Furyu-Odori" of the detached island of the Kyushu south. There is a Tokara Island in Kagoshima Pref. I discovered that the song of "Tokara Bon-Odori" resemble "Tsushima Bon-Odori". I compared the "Tokara Bon-Odori" song with the song book of Kabuki. I investigated even the "Bon-Odori" of the island of the periphery. I tried the comparison of those songs.2. I investigated "Kojoruri-Ningyo" of Niigata Pref. Sado city and Kagoshima Pref. Tougou-cho. I tidied and analyzed old recording of "Sado Bunya-Joruri". I recorded the play not performed recently. Those were written by Monzaemon Chikamatsu. In Togo, I investigated historical material, and studied "Togo Bunya-Joruri" about the time and route of transmission. I asked the situation in the past to the transmission person of Togo, and knew about the changes since the Meiji period. I summarized that "Kabuki-Odori" and "Ningyo-Joruri" were transmitted to many areas in the early Edo period. Those were appreciated and changed every place

  • Basic research of the actor prints about the material utility.

     View Summary

    (1) We have a workshop every month during 3 years. In this workshop all member report at out some works of the Toyokuni I. We are sharing them in Internet. We used some concerned material of Kabuki, e.g. Banduke or brochure of kabuki music which are belonged in Theatre Museum. Some member research about other museum and took a picture of Toyokuni I's works. We also have a skilled experience of Kabuki researching. Therefore the results of ascertaining are completely accurate. We have confidence in our self.(2) We created and are running a database of the actor prints in the Internet. By the database, all researcher can gain our information and research results at any time.(3) In the research of Ukiyoe, the signature of artist is a important factor. We need to trace the history of the signature. Some predecessors try to make the list of Toyokuni I, but sometime they mistook the puplishing period. By the database, we can make a latest list of an artist's signature list an artist's signature list all the time. In this report book, we added the print out sample list for someone's reference.(4) The commissioner's seal on the prints is also important for Ukiyoe researching. By the pattern of the seal, we can judge the period published. At the Bunka era, Ukiyoe had a special seal. We call it "Gyoji fuku-in". We have a list of Gyoji fuku-in which made by Kendo Ishii. But the list is not enough. We collected some samples of Gyoji fuku-in, then we made a new list on the report book. This is not enough yet but also the first useful list and disquisition about Gyoji fuku-in

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Specific Research 【 display / non-display

  • 近世芸能の地方伝播比較とデジタルアーカイブ構築研究

    2004  

     View Summary

     2003年度は主として九州の風流芸能の分布状況の把握と、伝承地の調査に重点を置いて研究を進めた。8月の旧盆時期にトカラ列島十島村悪石島の盆踊、鹿児島県坊津町久志の太鼓踊、同県加治木町の太鼓踊、9月に同県与論町の十五夜踊を調査した。 悪石島の盆踊は、元禄17年刊行の『落葉集』所収の踊歌と一致するものがあり、古い時期に都から伝来した歌謡であることがわかる。さらにその歌謡が、わずかながら長崎県対馬の盆踊歌とも一致するものがあり、両者に直接的な関係があるとは思われないので、中央の歌謡が長崎や鹿児島の離島にまで伝播し、他では失われてしまった後も、今日まで伝承されてきたと考えることができる。近世の都市の盆踊について、こうした伝播の関係は従来ほとんど知られておらず、きわめて珍しい例であるといえよう。 加治木町の太鼓踊については、近世中期の文献が残っており、現在までの変遷を知ることができる。近世中期には文弥節を踊歌として取り入れるなど、当時の流行歌の摂取につとめており、新奇な趣向を競っていたことが明らかである。薩摩藩では近世中期まで藩外からの文化の流入を拒む傾向にあったといわれることが多いが、先端的な文化を求める欲求が庶民の中に根強かったことが知られる。 与論町の十五夜踊は、琉球にも共通する豊年祭の形式の中に、狂言「末広かり」、元禄歌舞伎に関連のある「大隈川」、野郎歌舞伎風の「頼朝公」などが伝承されており、従来からヤマトの芸能との関連を示すものとして注目されている。これが中央と直接の関係を示すのか、薩摩藩からの伝来なのかは、あまりにも伝承が退化していて判然としない。 このように、調査対象の芸能は、いずれも都市芸能の地方伝播を検討する上で、極めて興味深い事例を提供してくれている。今後はさらに文献資料の調査と合わせて、伝播の時期や経路の把握に努めたい。 なお、2004年度は科学研究費採択のため特定課題としては廃止した。

 

Syllabus 【 display / non-display

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