Updated on 2024/07/03

写真a

 
OGINO, Shizuo
 
Affiliation
Faculty of Political Science and Economics
Job title
Professor Emeritus
Degree
Doctoral Course Completed Coursework ( 1983.03 Waseda University )
Master of Arts ( 1980.03 Waseda University )
Bachelor of Arts ( 1977.03 Waseda University )

Research Experience

  • 2024.04
    -
    Now

    Waseda University   Faculty of Political Science and Economics   Professor Emeritus

  • 1996.04
    -
    2024.03

    Waseda University   Faculty of Political Science and Economics   Professor

  • 2015.01
    -
    2015.03

    Yale University, School of Music, USA, Visiting Fellow

  • 2014.08
    -
    2014.12

    Yale University, School of Music, USA, Visiting Researcher

  • 2014.04
    -
    2014.07

    Freie Universität Berlin, Institut für Theaterwissenschaft, Germany, Guest Researcher

  • 2014.02
    -
    2014.03

    University of Washington, USA, Faculty Development Trainee   Department of Germanics

    Faculty Development Program

  • 2007.04
    -
    2014.03

    Tokyo College of Music   Lecturer (part-time)

  • 1999.04
    -
    2000.03

    Universität Tübingen Germany   Deutsches Seminar   Guest Researcher

  • 1996.04
    -
    1998.03

    Universität Tübingen, Germany,   Deutsches Seminar   Guest Researcher

  • 1993.04
    -
    1996.03

    Rikkyo University   Lecturer (part-time)

  • 1990.04
    -
    1996.03

    Waseda University   School of Political Science & Economics   Associate Professor

  • 1988.04
    -
    1990.03

    Waseda University   School of Political Science and Economics   Assistant Professor

  • 1987.04
    -
    1988.03

    Waseda University   Graduate School of Literature   part-time lecturer

  • 1986.04
    -
    1988.03

    Waseda University   School of Humanities and Social Sciences   Lecturer (part-time)

  • 1986.04
    -
    1988.03

    Waseda University   School of Commerce   Lecturer (part-time)

  • 1986.04
    -
    1988.03

    Josai University   Lecturer (part-time)

  • 1986.04
    -
    1988.03

    Veterinary and Stock Raising Science University Japan   Lecturer (part-time)

  • 1986.04
    -
    1988.03

    Waseda University   School of Political Science and Economics   Lecturer (part-time)

  • 1983.04
    -
    1983.09

    Waseda University   School of Humanities and Social Sciences   Lecturer (part-time)

  • 1983.04
    -
    1983.09

    Josai University   part-time teacher

  • 1981.04
    -
    1983.09

    Veterinary and Stock Raising Science University Japan   Lecturer (part-time)

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Education Background

  • 1983.09
    -
    1986.03

    Bundesrepublik Deutschland (West Germany) Universität Tübingen   Neuphilologie   Deutsches Seminar  

    Stipendiat des DAAD (2 Jahre), privat (6 Monate)

  • 1980.04
    -
    1983.03

    Waseda University   Graduate School of Letters, Arts and Sciences, Doctoral Course   German Literature  

  • 1977.04
    -
    1980.03

    Waseda University   Graduate School, Division of Letters, Master's Course   German Literature  

  • 1973.04
    -
    1977.03

    Waseda University   School of Letters, Arts and Sciences I   German Literature  

Committee Memberships

  • 2024.04
    -
    Now

    Institute for Research in Opera and Music Theatre, Comprehensive Research Organization, Waseda University  Advisor

  • 2016.04
    -
    2024.03

    Institute for Research in Opera and Music Theatre, Comprehensive Research Organization, Waseda University  Director

  • 2011.03
    -
    2014.03

    Gesellschaft fuer die Erforschung der schweizerischen Literatur in Japan  Secretary

  • 2005.04
    -
    2013.03

    Gesellschaft für die Erforschung der österreichischen Literatur in Japan  Secretary

Professional Memberships

  • 2010.09
    -
    Now

    Japan Society of Image Arts and Sciences

  • 2009.07
    -
    Now

    Gesellschaft fuer die Erforschung der schweizerischen Literatur in Japan

  • 2007.04
    -
    Now

    Goethe-Gesellschaft in Japan

  • 1981.09
    -
    Now

    Japanische Gesellschaft fuer Germanistik

  • 2010.04
    -
    2024.03

    The Musicological Society of Japan

  • 2010.04
    -
    2024.03

    Japanese Society for Theatre Research

  • 1990.09
    -
    2021.12

    Deutsche Schillergesellschaft

  • 2007.04
    -
    2021.03

    Hölderlin-Gesellschaft

  • 1994.04
    -
    2020.03

    Gesellschaft fuer die Erforschung der österreichischen Literatur

  • 1981.10
    -
    2020.03

    The Classical Society of Japan

  • 2014.08
    -
    2015.03

    American Musicological Society

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Research Areas

  • European literature / Area studies / Aesthetics and art studies

Research Interests

  • Opera

  • Music Theatre

  • Film

  • Culture in the Countries of German Language

  • Classical Studies

Awards

  • Grant for Research Event (200000 Yen)

    2024.01   Comprehensive Research Organization, Waseda University   International Conference "New Opera and Music Theatre and Other Issues"

    Winner： Institute for Research in Opera and Music Theatre, Comprehensive Research Organization, Waseda University

  • Grant for Special Research Subject "Interlocking Type with Grant-in-Aid for Scientific Research, Interlocking Type with Evaluation" 500000 Yen, Subject No. 2023R-002

    2023.07   Waseda University   Comprehensive Study of Reinhard Kaiser - His Life and Works

  • Grant for Special Research Subject (300000 Yen) , Subject No. 2023C-294

    2023.06   Waseda University   New Opera and Music Theatre in Europe and North America - From the Viewpoint of Technology

    Winner： Shizuo Ogino

  • Grant for Research Event (200000 Yen)

    2022.12   Comprehensive Research Organization, Waseda University   Gluck Symposium - Opera "Orfeo ed Euridice" and its Surroundings

    Winner： Baroque Opera Working Group, Institute for Research in Opera and Music Theatre, Comprehensive Research Organization, Waseda University

  • Grant for Special Research Subject (300000 Yen), No. 2022C-316

    2022.06   Waseda University   New Opera and Music Theatre in the Present Europe and North America - its Form of Performance and Appreciation

    Winner： Shizuo Ogino

  • Grant for Special Research Subject (300000 Yen), No. 2021C-407

    2021.06   Waseda University   Opera's Impact on New German Cinema - In Case of Werner Schroeter

    Winner： Shizuo Ogino

  • Grant for Publication (700000 Yen)

    2021.03   Comprehensive Research Organization, Waseda University   Opera and Music Theatre Research in the Present - Dynamism of Creation and Spread

    Winner： Institut for Research in Opera and Music Theatre

  • Grant for Special Research Subject (300000 Yen), No. 2020C-532

    2020.06   Waseda University   Opera and Alexander Kluge - Reading his Films and Writings

    Winner： Shizuo Ogino

  • Grant for Special Research Subject (300000 Yen), No. 2019C-470

    2019.06   Waseda University   Opera's Impact on New German Cinema - Examaination of its Social History

    Winner： Shizuo Ogino

  • Grant for Symposium (200,000 Yen)

    2017.12   Comprehensive Research Organization Waseda University   "Symposium 450th Anniversary of Monteverdi's Birth" The World of Baroque Opera beyond Monteverdi

    Winner： Baroque Opera Working Group, Comprehensive Research Organization, Waseda University

  • Grant for Publication (700,000 Yen)

    2017.03   Comprehensive Research Organization Waseda University   "Handbook for Research in Opera and Music Theatre Reading Key Words", Artes Publishing March 2017

    Winner： Institute for, Research in Opera, Music Theatre, Comprehensive Research Organization, Waseda University

  • Grant for Symposium (300,000 Yen)

    2016.06   Embassy of Israel, Tokyo   Opera "Socrate" Project

    Winner： Institute for, Research in Opera, Music Theatre, Comprehensive Research Organization, Waseda University

  • Grant for Symposium (200,000 Yen)

    2016.06   Comprehensive Research Organization Waseda University   Opera "Socrate" Project

    Winner： Institute for, Research in Opera, Music Theatre, Comprehensive Research Organization, Waseda University

  • Scholarship of Goethe-Institut and The Japanese Ministry of Education, Science and Culture (July-September 1992)

    1992.07   Goethe-Institut and The Japanese Ministry of Education, Science and Culture   Fortbildungskurs am Goethe-Institut Berlin, an der Universität Münster u.a.

  • Scholarship of German Academic Exchange Service (September 1983-September 1985)

    1983.09   Deutscher Akademischer Austauschdienst   Stipendium des DAAD zum Studium am Deutschen Seminar der Universität Tübingen, West Germany

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Papers

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Books and Other Publications

  • Opera and Music Theatre Studies Today-Dynamism of Creation and Spread

    Editors: Sato, Suguru, Onishi, Yuki, Okamoto, Yoshiko( Part： Joint author, Reinhard Keiser's "Croesus" - Its Historical Background, Libretto, Music, Dance and Mind)

    Suiseisha  2021.03 ISBN: 9784801005556

  • Handbook of Opera and Music Theatre Studies, Reading Keywords

    Takashi Marumoto, Shizuo Ogino, Suguru Sato, Keiji Sawada, Satoko Soeda, Etsuro Hasegawa, Harumi Higashi, Yoshiko Mori

    Artespublishing  2017.03 ISBN: 9784865591583

  • スイスを知るための60章

    スイス文学研究会( Part： Joint editor)

    明石書店  2014.05 ISBN: 9784750339788

  • "1984" from "Farewell to Nuclear,Welcome to Renewable Energy:A Collection of Poems by 218 Poets" (ed. by Hisao Suzuki, Jotaro Wakamatsu, Yorifumi Yaguchi etc), p. 272

    Author: Katrin Seglitz, Translator, Shizuo Ogino(1984)

    Coal Sack  2012.08 ISBN: 9784864350761

  • 『三つの詩』 (荻野静男訳、佐相憲一・中村純・宇宿一成・鈴木比佐雄・亜久津歩編 『命が危ない 311人詩集 — いま共にふみだすために —』 290~291頁)

    カトリン・ゼグリッツ

    コールサック社  2011.08 ISBN: 9784864350327

  • 『福島』 (荻野静男訳、佐相憲一・中村純・宇宿一成・鈴木比佐雄・亜久津歩編 『命が危ない 311人詩集 — いま共にふみだすために —』 420~421頁)

    ダニエル・ツァーノ

    コールサック社  2011.08 ISBN: 9784864350327

  • Studien zur Geschichte der Nō-Masken: ihre Frühformen in Tempeln und Schreinen Japans

    Gotō, Hajime(Zobel, Günter, Ogino, Shizuo, Muroi, Yoshiyuki)( Part： Joint translator)

    Iudicium Verlag (Publisher of German Edition)  2011.01 ISBN: 9783862050178

  • スイスの歴史 スイス高校現代史教科書 <中立国とナチズム>

    バルバラ・ボンハーゲ, ペーター・ガウチ、ヤン・ホーデル, グレーゴル・シュプーラー, スイス文学研究会, 五十嵐豊, 大串紀代子, 若林恵, 荻野静男他訳

    明石書店  2010.02 ISBN: 9784750331409

  • Hölderlin-Studien - Mit einem Traktat über philologische Erkenntnis

    Translators: Hölderlin-Forschungsgruppe (Aoki, Motoyuki, Ebisaka, Takashi, Ogino, Shizuo and others( Part： Joint translator)

    Hosei University Press  2009.01 ISBN: 9784588009013

  • プログレッシブ独和辞典

    小野寺和夫, 石塚茂清, 福原嘉一郎他編, 石井寿子, 岩井方男, 荻野静男他共同

    小学館  1994.01 ISBN: 409515022x

  • Geist und Buchstabe der Dichtung

    Translators: Arai, Seiichi, Kamio, Tatsuyuki, Ogino, Shizuo( Part： Joint translator, Kleist, Hölderlin)

    Kokubunsha Ltd.  1988.03

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Presentations

  • Literature, Opera and History- Their Junction

    Shizuo Ogino

    Farewell Lecture, Faculty of Political Science and Economics, Waseda University 

    Presentation date： 2024.02

    Event date：
    2024.02
    　
    　

  • The Opera "La Bastarda": Its 'Child' and Dance

    Ogino, Shizuo

    International Conference "New Opera and Music Theatre and Other Issues" 

    Presentation date： 2024.01

    Event date：
    2024.01
    　
    　

  • On Image Arts of Gluck's "Orfeo ed Euridice"

    Ogino Shizuo

    Gluck Symposium - Opera "Orfeo ed Euridice" and its Surroundings  (Ono Memorial Hall, Waseda University, Tokyo, Japan)  Institute for Research in Opera and Music Theatre

    Presentation date： 2022.12

    Event date：
    2022.12
    　
    　

    　View Summary

    Presentations and Panel Discussions on Chiristoph Willibald Gluck's Opera "Orfeo ed Euridice" and Performances by Singers

  • New Opera and Music Theatre in the Present and New Directions

    Shizuo Ogino

    Monthly Regular Meeting December 2021, Waseda Institute for Research in Opera and Music Theatre, Comprehensive Research Organization, Waseda University, Keywords for Opera and Music Theatre  (Tokyo)  Institute for Research in Opera and Music Theatre, Comprehensive Research Organization, Waseda University

    Presentation date： 2021.12

    Event date：
    2021.12
    　
    　

    　View Summary

    This project introduces new opera and music theater staged in Europe and North America in this century, and it examines new directions there. In this way, it tries to consider how the operatic medium has been transformed. Keywords: traditional opera / digital age / new music theater / transformation of the operatic medium / new directions

  • "Der hochmuetige, gestuerzte, und wieder erhabene Croesus" by Reinhard Keiser

    OGINO Shizuo

    Monthly Regular Meeting October 2019, Waseda Institute for Research in Opera and Music Theatre (WIROM), Comprehensive Research Organization, Waseda University, Key Words for Opera and Music Theatre  (Tokyo)  Waseda Institute for Research in Opera and Music Theatre (WIROM)

    Presentation date： 2019.10

    　View Summary

    This project considers the opera "Der hochmuetige, gestuerzte, und wieder erhabene Croesus (The Proud, Overthrown and Again Exalted Croesus) and examines some relevant aspects including the Freie Reichsstadt Hamburg, the Enlightment, opera and citizens of the city, conflicts with Protestant Church, the figure of Croesus, and finally the opera's libretto, music, and its dance elements.

  • The Opera "Yuzuru" ("Twilight Crane") and the Legend of "Tsuru-no-Ongaeshi" ("The Grateful Crane") as the Background of its Libretto

    OGINO Shizuo  [Invited]

    Human Voice, Animal Voice  (Tel Aviv)  Musicology Department, The Buchmann-Mehta School of Music, Tel Aviv University

    Presentation date： 2018.12

    　View Summary

    In this presentation I would like first to explain the author of the drama Twilight Crane, Kinoshita Junji and its main actress Yamamoto Yasue. After this I summarize Kinoshita’s play Twilight Crane. Then I will refer to the composer of the opera Twilight Crane Dan Ikuma, who added music to Kinoshita’s play without changing a word of the play. Furthermore, I will explain the taboo of “Don’t look” which is very important for the understanding of Twilight Crane, another folktales, operas and myths. Moreover, the socio-historical context of the play Twilight Crane, i.e. the libretto of the opera Twilight Crane, will be considered, and I will conclude with this consideration my presentation.

  • Japanese Operas "Ochitaru Tennyo" ("The Fallen Celestial Maiden") and "Yuzuru" ("Twilight Crane"): Their Similarity to Stephane Mallarme's "L'Apres midi d'un faune" and Richard Wagner's "Lohengrin"

    OGINO Shizuo

    The IAJS Thematic Conference 2018. With the Art History Dept. Tel Aviv University. The West in Japanese Imagination / Japan in Western Imagination: 150 Years to the Meiji Restoration  (Tel Aviv)  Israeli Association for Japanese Studies and The Art History Dept. Tel Aviv University

    Presentation date： 2018.12

  • ラインハルト・カイザーのオペラ ― ローマ皇帝ものを中心に

    荻野静男

    〈モンテヴェルディ生誕450年記念シンポジウム〉 モンテヴェルディのオペラから広がるバロック・オペラの世界  (東京)  早稲田大学総合研究機構 オペラ／音楽劇研究所

    Presentation date： 2017.12

    　View Summary

    ラインハルト・カイザーのオペラについて、17世紀末から18世紀初頭の帝国自由都市ハンブルクの状況を顧慮しつつ、《オクタヴィア》と《クラウディウス》を中心に論じた。

  • The Significance of the Full Staging of Satie's 'Socrate' in the Joint Project of Waseda University and Tel Aviv University "Opera 'Socrae'-Project with Prof. Michal Grover-Friedlander"

    Shizuo Ogino

    Closing Event "Showing the Film 'Socrate' and Aftertalks"  (Tokyo)  Institute for Research in Opera and Music Theatre, Comprehensive Research Organisation, Waseda University

    Presentation date： 2016.07

    　View Summary

    I talked about the significance of the full staging of Erik Satie's 'Socrate' in the Ono Auditorium in the Joint Project of Waseda University and Tel Aviv University "Opera 'Socrate'-Project".

  • Coordinator and Interpreter at the Guest Lecture of Prof. Eli Friedlander

    Eli Friedlander

    Guest Lecture of Prof. Eli Friedlander  (Tokyo)  Germanistisches Seminar Waseda

    Presentation date： 2016.07

  • Joint Project of Waseda University and Tel Aviv University "Opera 'Socrate'-Project with Prof. Michal Grover-Friedlander"

     [Invited]

    (Tokyo)  Institute for Research in Opera and Music Theatre, Comprehensive Research Organisation, Waseda University

    Presentation date： 2016.07

    　View Summary

    We invited Prof. Michal Grover-Friedlander from the Buchmann-Mehta School of Music of Tel Aviv University, Israel, and carried out the 5 research events from June through July 2016. Among these events was the full staging of Eik Satie's "Socrate" in the Ono Auditorium of Waseda University. I completed all the events as project-leader successfully. 【Joint Project of Waseda University and Tel Aviv University】 The Opera Socrate Project Schedule of Events ① Guest Lecture: “Directing Opera's Voice”by Prof. Grover-Friedlander Mon. June 20th, 2016 Starting time: 6:30 p.m. Venue: Ono Auditorium, Waseda University Admission: Free ② Symposium: “Towards a Performance of Satie” Sun. June 26th, 2016 Starting time: 2:00 p.m. Venue：Okuma Small Auditorium, Waseda University Admission: Free Coordinator：Prof. Shizuo Ogino Panelists：Prof. Michal Grover-Friedlander (Tel Aviv University) Dr. Reina Naruta (Musicologist, Tokyo University of the Arts) Dr. Arisa Tachi (Opera Director, Tokyo University of the Arts) Commentator：Prof. Yuji Numano（Musicologist, Toho Gakuen University, Tokyo） ③ Workshop:“Viewing a Rehearsal of Socrate ”(open rehearsal) Sun. July 3rd, 2016 Starting time: 2:00 p.m. Venue: Ono Auditorium Admission: Free ◎Overview Michal Grover-Friedlander, Associate Professor of Tel Aviv University and an opera director, has engaged in performance activity as an opera director while conducting research as a musicologist in the aesthetics of voice. In this project, Prof. Grover-Friedlander will direct a performance ofSocrate (composed by Erik Satie), accompanied by a lecture, a symposium, and other events. Nowadays there are many chances to attend an opera or other musical entertainments, but it is rare to watch the backstage work of the director of a theatre. Through these events, let's enjoy watching the process by which the fascination of music is made visible under the hand of Prof. Grover-Friedlander. Project leader: Prof. Shizuo Ogino, Director of Institute for Research in Opera and Music Theatre, Waseda University Director: Prof. Michal Grover-Friedlander 【Overview】On this day only, we'll perform a public rehearsal of Socrate. In addition to observing how Prof. Grover-Friedlander directs this musical drama, we can enjoy the physical expression of dancers Mr. Takenoshita, Ms. Dotan and Ms. Sandel, and the beautiful voices of countertenors Doron Schleifer and Taiki Ikemizu. We will also hear the excellent narration of Mr. Kurokawa. ④ Satie’s Socrate (full staging) Sun. July 10th, 2016 Starting times: 1:00 p.m. and 5:00 p.m. (2 performances) Venue: Ono Auditorium Director: Prof. Michal Grover-Friedlander Assistant directors: Dr. Arisa Tachi and Mariko Kasahara (Tokyo University) Introduction: Prof. Eli Friedlander (Tel Aviv University) Singers: Doron Schleifer (countertenor) and Daiki Ikemizu (countertenor) Dancers: Ryo Takenoshita, Noam Sandel and Batel Dotan Narrator: Takehiko Kurokawa Pianist: Yuko Yagishita Management: Student volunteers of Waseda University ⑤ Closing events: Screening of the full staging of Socrate, followed by talks Thurs. July 14th 2016 Starting time: 6:30 p.m. Venue: Ono Auditorium Chair: Dr. Arisa Tachi Talks by: Prof. Michal Grover-Friedlander, Prof. Shizuo Ogino and Mariko Kasahara Host organization：Institute for Research in Opera and Music Theatre, Waseda University Joint sponsor: Waseda Institute for Advanced Study Support：Embassy of Israel and the Comprehensive Research Organization of Waseda University Mailing list：project-opera[at]list.waseda.jp ([at]=@)

  • Erik Satie and His Time - Elementary Informations

    Shizuo Ogino

    Symposium - "Toward the Staging of Satie's 'Socrate'  (Tokyo)  Institute for Research in Opera and Music Theatre, Comprehensive Research Organisation, Waseda University

    Presentation date： 2016.06

    　View Summary

    This Symposium is one of the research events in the context of Joint Project of Waseda University and Tel Aviv University "Opera 'Socrate'-Project with Prof. Michal Grover-Friedlander" toward the staging of Saties 'Socrate'. In this presentation I mentioned about Erik Satie and his time as background of his works.

  • Palladian Architecture in the Opera Film "Don Giovanni" by Joseph Losey

    Shizuo Ogino

    The Monthly Meeting of Institute for Research in Opera and Music Theatre, Waseda University, April 2016  (Tokyo)  Insttitute for Research in Opera and Music Theatre, Waseda University

    Presentation date： 2016.04

    　View Summary

    There are a lot of Villas built by Andrea Palladio from the period of Renaissance in Veneto, Italy. I tried to make it clear how some of these villas are used in the opera film "Don Giovanni" by Joseph Losey and what the meaning of this use is.

  • History of Opera Film and View of Opera Image

    Shizuo Ogino

    Faculty Workshop  (Tokyo)  School of Political Science and Economics

    Presentation date： 2016.01

    　View Summary

    I tried to explain the history of opera film takiing mainly "Les Contes d'Hoffmann" for example and to get a view of opera image in the past, present and future.

  • Coordinator of the 2nd Part of the Symposium: "What we can see in the analysis of programs of opera houses"

     [Invited]

    Symposium: "What we can see in the analysis of programs of opera houses - construction and use of databases of music theatre", 2nd part: Active Use of Databases of Music Theatre  (Tokyo)  Comprehensive Research Organisation, Institute for Research in Opera and Music Theatre

    Presentation date： 2015.10

  • The Trends of Opera Studies in the World - My Experiences during a 2014 Sabbatical

    Regular Research Meeting in April 2015 (No. 138), Institute for Research in Opera and Music Theatre, Waseda University 

    Presentation date： 2015.04

  • The Life and Operatic Works of Wolfgang Amadeus Mozart - From Today's Perspective

    Final Showcase Presentations of Waseda Faculty Development Program at University of Washington, Seattle, USA 

    Presentation date： 2014.03

  • On the Thesis 'Zooming in, Gazing back: "Don Giovanni" on Television' by Richard Will

    Regular Research Meeting in January 2014 (No. 125), Institute for Research in Opera and Music Theatre, Waseda University 

    Presentation date： 2014.01

  • About Truth, Nature and Realism in the Opera and Music Theatre in the 18th Century, in the Focus of Examples from German Language Area in Central Europe

    Panel Session II in the Annual Meeting of Japanese Society for Theatre Research 2013 

    Presentation date： 2013.06

  • ダニエル・ツァーノの"Mein Herr"

    スイス文学研究会 

    Presentation date： 2013.05

  • C. G. ユングとK. ケレーニイ

    スイス文学研究会 

    Presentation date： 2011.01

  • ダニエル・ツァーノの短編小説—『ヒソヒソ話』と『黄色』—について

    スイス文学研究会 

    Presentation date： 2007.07

  • Robert Menasses Roman "Sinnliche Gewissheit"

    Shizuo Ogino  [Invited]

    Das 10. Seminar zur oesterreichischen Gegenwartsliteratur  (Praefektur Nagano)  Gesellschaft fuer die Erforschung der oesterreichischen Literatur

    Presentation date： 2001.11

  • O.M.グラーフの『奈落』

    日本独文学会秋季研究発表会 

    Presentation date： 1989.10

  • O.M.グラーフの"Die Flulcht ins Mittelmaessige. Ein New Yorker Roman"における亡命について

    日本独文学会春季研究発表会 

    Presentation date： 1987.05

  • ヘルダーリンのピンダロス断片43の解釈について

    第47回早稲田大学ドイツ文学会研究発表会 

    Presentation date： 1986.06

  • ヘルダーリンの詩におけるディオニューソス

    第36回早稲田大学ドイツ文学会研究発表会 

    Presentation date： 1980.06

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Research Projects

  • The History of Opera Films and the Future of Opera Images

    Japan Society for the Promotion of Science  Grants-in-Aid for Scientific Research

    Project Year :

    2014.04
    -
    2017.03
     

    OGINO Shizuo, TACHI Arisa, KASAHARA Mariko

    　View Summary

    I conducted research at the Institute for Theatre Studies of Free University Berlin, Germany and at the School of Music of Yale University, USA for one year. I could, therefore, collect informations on opera studies through the exchange with the colleagues there and gather material for this field. Furhtermmore, I attended conferences on opera studies in Ireland, England, USA and Italy. Through various lectures, I could investigate the latest trends of research in opera films. In addition, I carried out the investigations of the locations of opera films "Don Giovanni" and "Carmen in Italy and Spain. As concrete results of my research during 3 years there are oral presentations, papers, reports and a book. Furthermore, I was the leader of the "Socrate"-Project and made an investigation of opera-staging which will contribute to research in the direction of opera films.

  • The Joint Project of Waseda University and Tel Aviv University "Opera 'Socrate'-Project" with Professor Michal Grover=Friedlander

    Embassy of Israel  grant for symposium (300,000 Yen)

    Project Year :

    2016.06
    -
    2016.07
     

    Shizuo Ogino, Arisa Tachi, Mariko Kasahara, members of Institute for, Research in Opera, Music Theatre, Comprehensive Research Organization, Waseda University, Michal Grover=Friedlander

    　View Summary

    In this Joint Project, 5 research events were competed at Waseda Univestiy. One of them was the full staging of Erik Satie's "Socrate" in the Ono Auditorium. 4 Israeli performers came for this staging. The donation of the Embassy of Israel was used for the payment of their stay in Tokyo and so on.

Other

  • Special Lecture by Professor Gundula Kreuzer, Department of Music, Yale University, USA

    2024.03
    　
    　

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    Institute for Research in Opera and Music Theatre, Comprehensive Research Organization, Waseda University, organized the Special Lecture by Professor Gundula Kreuzer, Department of Music, Yale University, USA, online by Zoom. I was responsible for the planning, execution and moderation of this Special Lecture. Its title is “Paul Hindemith’s Opera Mathis der Maler and German Cultural Memories
    around World War II.”

  • International Conference "New Opera and Music Theatre and Other Issues"

    2024.01
    　
    　

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    I invited from abroad 6 researchers and held research events like a film presentation of a music theater and a series of presentations on opera and music theater in the Okuma Small Auditorium and in the Building 3 of Waseda University. I had planned this project and invited the researchers for this International Conference. I worked for it as coordinator of the executive committee at the Institute for Research in Opera and Music Theatre of Comprehensive Research Organization, Waseda University.

  • Vortrag von Professor Günther Heeg, Institut für Theaterwissenschaft, Universität Leipzig, Deutschland: "Trauer- und Traumarbeit im Belcanto - Wiederholung der Vergangenheit und Überschreitung der Gegenwart in den Stuttgarter Inszenierungen von Vincenzo Bellinis Opern "Norma", "La Sonnambula" und "I Puritani"."

    2017.10
    　
    　

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    Vortrag über die Aufführungen der Bellinis Opern "Norma", "La Sonnambula", "I Puritani" , die in der Staatsoper Stuttgart von Sergio Morabit und Jossi Wieler inszeniert wurden. Dabei wird der Schwerpunkt vor allem auf Bühnenbild von Anna Viebrock gelegt.
    Ich habe Professor Heeg zur Universität Waseda eingeladen, diesen Vortrag geplant und realisiert.
    Veranstaltet von Institute for Research in Opera and Music Theatre, Comprehensive Research Organization, Waseda University, in Gemeinschaft mit dem Deutschen Seminar der Fakultät für Literatur, Keio University
    Ort: Waseda University, Waseda Campus, Gebäude 26 (Okuma Memorial Tower), Sitzungsraum 1102
    Sprache: Deutsch

  • 'Opera "Socrate"-Project'

    2016.06
    -
    2016.07

    　View Summary

    This 'Opera "Socrate"-Project' is a co-project with Tel Aviv University, Israel which took place at Waseda University, Tokyo. Ogino worked as "Project-Leader". He invited Associate Professor Michal Grover=Friedlander and Professor Eli Friedlander from Tel Aviv University and organized with other members of Institute for Research in Opera and Music Theatre guest lecture, symposium and workshop. Furthermore, he realized with them the staging of "Socrate" by Erik Satie and held the talk session after the performance.
    venues: Okuma Auditorium-Main Auditorium and Ono Auditorium.
    organizer: Institute for Research in Opera and Music Theatre, Comprehensive Research Organization, Waseda University
    co-organizer: Institute for Advanced Studies, Waseda University
    sponsored by: Embassy of Israel, Tokyo and Comprehensive Research Organization, Waseda University

 

Overseas Activities

  • オペラ映画の総合的研究―オペラと映画の複合体としての芸術作品

    2014.04
    -
    2015.03

    ドイツ　及び　アメリカ   ベルリン自由大学演劇学部　及び　イェール大学音楽学部

Internal Special Research Projects

  • ラインハルト・カイザーの総合的研究―その人と作品

    2023  

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    　2023年9月1日～9月21日の3週間の期間において、本特定課題研究助成金を使用してドイツ・ベルリンに研究出張を行った。現地ではベルリン国立図書館、ベルリン・フンボルト大学図書館にて、「ラインハルト・カイザーの総合的研究――その人と作品」というテーマに関する資料を、時間的余裕をもって閲覧・収集することができた。この資料は現地でのみ手に取ることができる非常に貴重な資料である。これにより、以降の文献研究に大きな弾みをつけることが可能となった。　また現地ではベルリン国立歌劇場、ベルリン・ドイツ・オペラ、ベルリン・シャウビューネ劇場などに通うことにより、ベルリンの劇場生活に親しむことができた。これはバロック・オペラ作曲家のラインハルト・カイザー関係の研究にとどまらず、伝統的オペラならびに新しい音楽劇全体の劇場実践の動向を知るために、大変有意義なことであった。これまた、日本国内では不可能な、ベルリンにおいてのみ可能なオペラハウスおよび劇場における観劇である。　以上のことから、今回のベルリンへの本特定課題助成金を使用しての研究出張は、大変有意義な成果をもたらしたものと言える。

  • 欧州および北米における新しいオペラ／音楽劇―テクノロジーの観点から

    2023  

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    　 2023年7月6日～7月8日にポルトガル・リスボンの新リスボン大学にて開催された第5回トランスナショナル・オペラ・スタディーズ・カンファレンスに参加する目的で、本特定課題助成費を使用して、研究出張を行った。　本カンファレンスにおいて世界各国から参集した研究者たちの研究発表を聴講し、現代のアクチャルなオペラ研究の動向を探ることができた。また多くの研究者たちとカンファレンス会場その他で交流することができたことにより、研究資料、研究方法、オペラの舞台実践などについての様々な情報を収集できた。　結果、「欧州および北米における新しいオペラ／音楽劇――テクノロジーの観点から」という取組中のテーマについて、新たな知見を獲得できたので、今後の研究活動にとって非常に有意義な研究出張となった。

  • 現代におけるヨーロッパおよび北アメリカの新しいオペラ／音楽劇―その上演・鑑賞形態ならびにテクノロジー

    2022  

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    &nbsp;　現代における欧州と北米の新しいオペラ／音楽劇について、可能な限り詳細な研究を試みた。今年度は欧州の劇場で観劇を行った。&nbsp; &nbsp; 観劇の際に特に注意したのは、機械装置、ライトニング、舞台道具、舞台美術、舞台構造、映像、その他のテクノロジー、舞台音楽等である。どの劇場においても映像装置が目立つ。今日これなくしては、いかなるオペラ／音楽劇も成立しないのでは、といった感想を抱いている。　映画については従来の研究を継続し、ニュー・ジャーマン・シネマの映画監督について調査や考察を重ねた。とりわけ、今年度はベルリンのドイツ・キネマテーク（ドイツ・映画博物館）に赴き、専門家の意見をうかがい、自分の考察と比較対照することができた。特別展示「ヴェルナー・ヘルツォーク」も、大変有益であった。

  • オペラがニュー・ジャーマン・シネマに与えたインパクト―ヴェルナー・シュレーターの場合

    2021  

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    　2021年度も引き続きニュー・ジャーマン・シネマの作家研究に取り組むこととなった。しかし残念ながら前年度に引き続き、コロナ禍によりドイツ渡航ができなかったため、日本国内での研究を余儀なくされた。本来ドイツのミュンヘン・テレビ映画大学、ミュンヘン映画博物館、ベルリン映画博物館等で原資料等にあたる予定だったが、その希望はかなわなかった。代わりにミュンヘン映画博物館編集・制作のヴェルナー・シュレーター監督作品を鑑賞したり、同博物館発信のインターネット・ストリーミングによるシュレーター作品と取り組んだ。

  • アレクサンダー・クルーゲにおけるオペラ――その映画と著作を読む

    2020  

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    　今年度は2019年度に引き続き、ニュー・ジャーマン・シネマ研究全般の一部として、アレクサンダー・クルーゲの映画ならびに著作におけるオペラに特化した研究の準備を行う。まずはドイツ・ミュンヘン映画博物館がゲーテ・インスティテュートとともに編集・刊行したクルーゲの映画およびテレビ放送作品を購入した。またZweitauseneins社の刊行したクルーゲのテレビ作品”Seen sind für Fische Inseln“も調達できた。現在それらを視聴する段階にある。著作についても、ズーアカンプ社発行の主要作品をほぼそろえることができたので、2021年度にこれを読み込んでいくことになる。学会等の研究発表会にて成果を口頭公表し、その後論文の形にして公表する予定である

  • オペラがニュー・ジャーマン・シネマに与えたインパクト―その社会史的考察

    2019  

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    オペラとニュー・ジャーマン・シネマとの関係性について研究し、主に文献調査及び映画視聴を行う。北米出身研究者による文献―フリンの『ニュー・ジャーマン・シネマ―音楽、歴史、スタイルの問題』やクズニアルの『同性愛のドイツ映画』等を読む。視聴映画はクルーゲの『感情の力』、シュレーターの『マリア・マリブランの死』、トラウトの『処女マシーン』等である。映画中のオペラ・社会史分析を試みた。クルーゲは著書『戦闘の記述』、『最初の想像的オペラ・ガイド』において、映画と同様コラージュの手法を用いている事が判明する。2020年2月ミュンヘンの映画博物館及びテレビ映画大学図書館にて、主にクルーゲの映像・文献資料にあたる。　

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