Updated on 2022/06/29

写真a

 
KOJIMA, Yoshie
 
Affiliation
Faculty of Letters, Arts and Sciences, School of Humanities and Social Sciences
Job title
Professor

Education

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    Scuola Normale Superiore di Pisa, Classe di Lettere e Filosofia, Corso di Perfezionamento / Ph.D.  

  •  
     
     

    Waseda university   Department of the History of Art, Ph.D. course  

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    Waseda University, Master course, Department of the History of Art,  

  •  
     
     

    Faculty of Letters, Waseda University, Tokyo  

Degree

  • Waseda University   Bachelor of degree in Letters

  • Waseda University   Masters' degree in letters

  • イタリア国立ピサ高等研究院 (Scuola Normale Superiore di Pisa)   博士号(文哲学)

  • Scuola Normale Superiore di Pisa   Ph.D.

Research Experience

  • 2017.04
    -
     

    上智大学中世思想研究所 客員所員

  • 2002.04
    -
    2017.03

    Sophia University   Faculty of Humanities Department of History   assistant professor

  • 2016.01
    -
    2016.03

    Villa I Tatti: The Harvard University Center for Italian Renaissance Studies   Mellon Fellow

  • 2015.10
    -
    2015.12

    Corpus Christi College, Oxford University   visiting scholar

  • 2015.10
    -
    2015.12

    Oxford University, Corpus Christi College   Visiting Scholar

  • 2010.04
    -
    2010.06

    the Getty Research Insusitute   Visiting Scholar

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Professional Memberships

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    Japan Society for Medieval European Studies

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    Italian Art Society

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    International Center of Medieval Art (ICMA)

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    "Collegium mediterranistarum" in Japan

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    Associazione di Studi Italiani in Giappone

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    The Japanese Society for Aesthetics

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    Japan Art History Society

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Research Areas

  • History of arts

Research Interests

  • Reception of Western Art in Early Modern East Asia

  • Cistercian Art

  • Christian Art in Japan

  • Italian Romanesque Art

  • Counter-Reformation Art

  • Italian Art History

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Papers

  • Fumi-e: Trampled Sacred Images in Japan

    Yoshie Kojima

    Sacred Images and Normativity: Contested Forms in Early Modern Art, ed. Chiara Franceschini, Turnhout : Brepols     30 - 45  2021.12  [Refereed]  [Invited]

  • Orthodoxy and Acculturation of Christian Art in Japan: The Transformation of the Eucharistic Representation of ‘Hidden’ Christians*

    Yoshie Kojima

    Interactions between Rivals: The Christian Mission and Buddhist Sects in Japan (c.1549-c.1647), ed. Alezandra Curvelo, ANgelo Cattaneo, Pieterlen-Bern: Peter Lang     394 - 418  2021.12  [Refereed]  [Invited]

  • suit “seminário dos pintores” in Japan and East Asia: St. Michael the Archangel Holding a Monstrance in Macau and the Madonna of the Rosary in Manila

    Yoshie KOJIMA

    Bulletin of the Graduate Division of Literature of Waseda University   66   531 - 542  2020.12

  • 中世シチリア王国の聖なる空間-パレルモ宮廷礼拝堂の天空と大地

    KOJIMA Yoshie

    美術史研究   57   133 - 142  2019.12

  • Genova e l'Emilia occidentale alla seconda metà del XII secolo: le maestranze antelamiche e i Cistercensi

    Yoshie Kojima

    Hortus Artium Medievalium   25 ( 2 ) 506 - 513  2019.06  [Refereed]

  • Iconoclasm and Iconophilia in Cistercian Art: Cloister Sculpture of Fontfroide, Alcobaça and Chiaravalle della Colomba

    Yoshie Kojima

    IKON: Journal of Iconographic Studies   Volume 11   57 - 64  2018.05  [Refereed]  [Invited]

  • (In Japanese) Fumi-e: Trampled Sacred Images in Japan and the Iconography of the Redemption of Catholic Reformation Art

    Yoshie Kojima

    The Study of the History of Art (the Society of History of Art, Waseda University)   LVI   31 - 44  2018

  • 「トリエント公会議後のイタリアの聖母像と日本、インド―大阪南蛮文化館所蔵《悲しみの聖母》を中心に―」

    Yoshie Kojima

    『美術史研究』   55   29 - 41  2017.12

  • Il porto di Genova e le sculture antelamiche di Fidenza: riconsiderazione della questione provenzale

    Yoshie Kojima

    Hortus Artium Medievalium. Journal of the International Research Center for Late Antiquity and Middle Ages   22   579 - 589  2016.05  [Refereed]

  • 神聖ローマ皇帝フェデリーコ2世のカプア門彫刻―ルネサンスの曙光

    Yoshie Kojima

    『ヨーロッパ文化の再生と革新』甚野尚志・益田朋幸編、知泉書館     267 - 284  2016.03

  • 日本二十六聖人記念館の《雪のサンタ・マリア》とシチリアの聖母像:キリシタン美術とトレント公会議後のイタリアにおける聖像崇敬

    Yoshie Kojima

    イタリア学会誌   65   167 - 188  2015.10  [Refereed]

  • 中世後期における教皇庁の墓碑彫刻 ― アルノルフォ・ディ・カンビオの革新

    Yoshie Kojima

    『教皇庁と美術』越宏一監修・加藤磨珠枝編 竹林舎     293 - 314  2015.09

  • Reproduction of the Image of Madonna Salus Populi Romani in Japan

    Yoshie Kojima

    Between East and West: Reproductions in Art (Proceedings of the CIHA Colloquium in Naruto, Japan, 15th – 18th January 2013), ed. Shigetoshi Osano, IRSA, Cracow     373 - 387  2014.11  [Refereed]

  • 北イタリア後期ロマネスク聖堂扉口における「悔悛」と「赦し」―中世自治都市国家と聖堂扉口彫刻図像

    Yoshie Kojima

    上智史学   59   59 - 79  2014.11

  • かくれキリシタン聖画考

    Yoshie Kojima

    季刊『悠久』 特集「かくれキリシタン」   137   97 - 111  2014.09

  • Insediamenti monastici nell'Emilia occidentale – il monastero benedettino di Castione Marchesi e i cistercensi

    Yoshie Kojima

    Hortus Artium Medievalium   20 ( 2 ) 561 - 570  2014.06  [Refereed]

  • 聖地ロレートと茨木のキリシタン美術、千堤寺・下音羽のキリシタン遺物研究

    Yoshie Kojima

    『千堤寺・下音羽のキリシタン遺物研究』千堤寺・下音羽のキリシタン遺物研究     67 - 74  2014.03

  • 中世神聖ローマ皇帝フェデリコ二世の「鷹狩の書」

    Yoshie Kojima

    『歴史家の窓辺』(上智大学出版)     221 - 242  2013.07

  • 「かくれキリシタン聖画比較研究」

    児嶋由枝

    『長崎県内の多様な集落が形成する文化的景観保存調査報告書 論考編』(長崎県文化財調査報告書第210集)     450 - 465  2013.04

  • かくれキリシタン聖画比較研究

    Yoshie Kojima

    『長崎県内の多様な集落が形成する文化的景観保存調査報告書 論考編』(長崎県文化財調査報告書第210集)     450 - 465  2013.04

  • Iconografia per Sacrum Imperium. Rilievi nella facciata del Duomo di San Donnino

    KOJIMA YOSHIE

    Conosco un ottimo storico dell'arte...Per Enrico Castelnuovo     77 - 82  2012.02

  • Iconografia per Sacrum Imperium. Rilievi nella facciata del Duomo di San Donnino

    Yoshie Kojima

    Conosco un ottimo storico dell'arte...Per Enrico Castelnuovo, Edizione della Normale, Pisa     77 - 82  2012.02  [Refereed]

  • 聖地ロレートとローマのSalus populi romani : 対抗宗教改革期イタリア美術と日本

    Yoshie Kojima

    上智史学   56   95 - 114  2011.11

  • 一二世紀末のマギ図像とカール大帝図像--シュタウフェン朝神聖ローマ皇帝権とロマネスク聖堂彫刻

    Yoshie Kojima

      54   59 - 76  2009.11

  • 「“カノッサの屈辱”とモデナ大聖堂 -聖ゲミニアヌス移葬記を読む-」

    児嶋由枝

    歴史家の散歩道 (プロムナード)     301 - 320  2008.03

  • “カノッサの屈辱”とモデナ大聖堂 -聖ゲミニアヌス移葬記を読む

    Yoshie Kojima

        301 - 320  2008.03

  • 聖地ロレート -空を飛んできた“聖なる家”

    『環地中海世界の聖地巡礼と民衆信仰』平成15~平成18年度科学研究費補助金基盤研究(B)(1) 研究成果報告書     105 - 123  2007.04

  • 笛吹き三月 : 北イタリア・ロマネスク聖堂に見る十二ヶ月の擬人像

    Yoshie Kojima

    上智史学   51   157 - 176  2006.11

  • Il commercio di oggetti liturgici di lusso tra Europa e Giappone (XVI e XVII secolo)

    Yoshie Kojima

    Quaderni Storici   CXXIII ( 16 ) 549 - 558  2006  [Refereed]

  • Sulla raffigurazione di due famiglie nel Duomo di Fidenza

    Yoshie Kojima

    Iconographica   4   46 - 57  2005.11  [Refereed]

  • Il progetto e gli interventi di Edoardo Arborio Mella per il ripristino della Cattedrale di Borgo San Donnino

    Yoshie Kojima

    地中海学研究   28   105 - 112  2005.06  [Refereed]

  • キリスト教化された仏陀伝 - パルマ洗礼堂彫刻をめぐって

    Yoshie Kojima

    歴史家の工房:上智大学出版     209 - 226  2003.04

  • Ricerche sul duomo di San Donnino a Fidenza

    KOJIMA YOSHIE

       2002

  • 書評 Enrico Castelnuovo, La cattedrale tascabile: Scritti di storia dell’arte〔『てのひらの大聖堂--カステルヌォーヴォ美術史論集』〕

    児嶋由枝

    地中海学研究   ( 24 ) 123 - 129  2001

  • 書評 Enrico Castelnuovo, La cattedrale tascabile: Scritti di storia dell’arte 〔『てのひらの大聖堂--カステルヌォーヴォ美術史論集』〕

    Yoshie Kojima

    地中海学研究   24   123 - 129  2001  [Refereed]

  • フィデンツァ大聖堂工房 -fratres laboreriiをめぐって

    Yoshie Kojima

    イタリア学会誌   50   76 - 89  2000.10  [Refereed]

  • フィデンツァ大聖堂のアンテーラミ

    Yoshie Kojima

    美術史   49 ( 1 ) 82 - 95  1999.10  [Refereed]

  • フィデンツァ大聖堂所蔵“聖ドンニーノのカリス”について

    Yoshie Kojima

    藝術研究   12   85 - 100  1999  [Refereed]

  • パルマ洗礼堂の洗礼盤

    Yoshie Kojima

    美学   48 ( 4 ) 25 - 36  1998.03  [Refereed]

  • Appunti sul "Calice di San Donnino"

    Yoshie Kojima

    Annali della Scuola Normale Superiore di Pisa-Classe di Lettere e Filosofia   Serie IV ( Quaderni I-2 ) 11 - 16  1998  [Refereed]

  • フィデンツァ大聖堂のクリプタ

    Yoshie Kojima

      13   371 - 383  1996.09

  • アンテーラミ神話の形成と解体 -18世紀から20世紀にかけての中世一彫刻家像の変遷

    Yoshie Kojima

    イタリア学会誌   45   1 - 24  1995.10  [Refereed]

  • ミケランジェロの彫像表現-1530年前後におけるその変化と意味について

    Yoshie Kojima

    美術史研究   26   122 - 140  1988.12

  • 『ミケランジェロ研究-メディチ家礼拝堂について』

    児嶋 由枝

    早稲田大学大学院文学研究科修士論文    1988

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Books and Other Publications

  • 「トレント公会議と美術」『宗教改革の芸術世界』

    児嶋由枝( Part: Sole author)

    上智大学キリスト教文化研究所編、発行所:リトン  2018

  • イタリア・ルネサンス美術―都市国家の芸術家たち」『はじめて学ぶイタリアの歴史と文化』

    藤内哲也編( Part: Joint author)

    ミネルヴァ書房  2016.05

  • The Grove Encyclopedia of Medieval Art & Architecture

    Yoshie Kojima( Part: Contributor)

    Oxford University Press  2012

  • 「イスラーム美術と中世西ヨーロッパ美術」『地中海ヨーロッパ』

    児嶋由枝( Part: Contributor)

    朝倉書店  2010.12

  • 『ウルビーノのヴィーナス 古代からルネサンス、美の女神の系譜』 (国立西洋美術館)

    ( Part: Joint translator)

    読売新聞社  2008

  • 『パルマ-イタリア美術、もう一つの都』国立西洋美術館

    ( Part: Joint translator)

    読売新聞社  2007

  • Storia di una cattedrale: il Duomo di San Donnino a Fidenza: il cantiere medievale, le trasformazioni, i restauri

    Yoshie Kojima( Part: Sole author)

    Edizioni della Normale, Pisa  2006.09

  • 『フィレンツェ 芸術都市の誕生』東京都美術館

    ( Part: Joint translator)

    日本経済新聞社  2004

  • 『岩波キリスト教辞典』

    ( Part: Contributor)

    岩波書店  2002.06

  • 『地中海の暦と祭り』

    児嶋由枝( Part: Joint author)

    2002.06

  • 『世界宗教建築事典』

    児嶋由枝( Part: Contributor)

    東京堂出版  2001.09

  • 『ジョルジョ・デ・キリコ』

    ( Part: Joint translator)

    渋谷東急文化村  2000

  • 『ファウスト・メロッティ』

    ( Part: Joint translator)

    愛知県美術館  1999

  • 『イタリア美術 1945-1995 見えるものと見えないもの』

    ( Part: Joint translator)

    愛知県美術館  1997

  • Brunelleschi

    Giovanni Fanelli( Part: Sole translator)

    東京書籍  1993

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Awards

  • honorary citizen of the City of Fidenza, Italy

    2013.09  

Research Projects

  • ビザンティンと中世イタリアの聖堂装飾プログラム比較に基づく相互影響関係の分析

    Project Year :

    2018.04
    -
    2022.03
     

  • Reception and transformation of European Christian art in Japan: 16th-19th century

    Project Year :

    2018.04
    -
    2022.03
     

  • Studies on Tacuinum Sanitatis

    Project Year :

    2012.04
    -
    2015.03
     

     View Summary

    Tacuinum Sanitatis is the health handbook which was originally written in the East and received in medieval Europe. I collected facsimiles and manuscripts of Tacuinum Sanitatis and examined them and showed those in courts received the Greco-Roman tradition and the Islamic medicine and adapted them according to their own culture

  • Comprehensive Investigation and Studies of Christian Relics

    Project Year :

    2011.04
    -
    2014.03
     

     View Summary

    Composed of specialists in art history, restoration, archaeology, and so on, our interdisciplinary research group investigated Japanese Christian relics. Besides the senior researcher and co-researcher, more than 40 researchers with doctoral degrees collaborated in ten investigations; most of the subsidy was appropriated for their travel expenses and fees. We published a treatise in 2012 and a report in 2014 as a part of our achievements. The co-researcher conducted various investigations in Japan and Italy and read a report at the International Congress. Overall, we were able to investigate almost all the presently accessible Christian relics in Japan

  • Early Gothic Art of Northern Italy - Monasteries in Emilia

    Project Year :

    2010.04
    -
    2014.03
     

     View Summary

    During the second half of the 12th century, the so-called Lombard Romanesque art was evolving into Gothic in a very distinctive manner. To elucidate its artistic circumstances, the present study has investigated three monasteries in Emilia of Nothern Italy, such as the Cistercensian Chiaravalle della Colomba and Fontevivo, and the Benedictine Castione dei Marchesi, besides the Italian city-state cathedrals of Piacenza, Lodi and Fidenza.A new perspective was found regarding the political factors behind the introduction of French Gothic, the relationships between monastic workshops and cathedral workshops, and the iconography of the Adam and Eve in the main portals

  • A Study of the Cross-cultural Influences Between Byzantine Art andWestern Medieval Art in the 12th and 13th Centuries

    Project Year :

    2010.04
    -
    2013.03
     

     View Summary

    To examine the cross-cultural influences between Byzantine art and Western medieval art, our team conducted intensive field research in Paris, London, Siena, Parma, Fidenza, Florence, and Athens.Through painstaking comparative work, we were able to identify new iconographical and stylistic characteristics in illuminated manuscripts, frescos, bas-reliefs, and ivory sculptures

  • Studies on the Iconography of the Northern Italian Late-Romanesque/Early-Gothic Sculpture centering around Fidenza Cathedral

     View Summary

    Even though there are still many points of controversy on the subject, it is generally agreed that Lombardian Romanesque sculpture between the second half of the 12th century and the early 13th century had been evolving an inherent iconography which incorporated the French gothic art languages.Based on these circumstances, this research speculates about its transitional features putting into perspective various arguments centering around Fidenza Cathedral, as well as the Baptistery of Parma, Piacenza Cathedral, Modena Cathedral and Lodi Cathedral.The main issues are the following.(1) The statues of the Prophets at the sides of the main portal of the facadeThe way in which the iconography of the Prophets with the Virgin glorifies the church's buildings as the house of God as well as the womb of the Virgin is studied taking into consideration the cistercsian thought of the time.(2) The statues of Adam and Eve at the sides of the main portal of the facadeThis research describes how this iconography involves not only the "Ordo raprentationis ade", but also the fact that confession had been acknowledged as a sacrament by the Lateran Council of 1215.(3) The representation of agriculture in the Genesis circle of the facadeThe notion of agricultural labor in Italian medieval City-States is examined taking into consideration the social and political situation around that time

  • The Concept of "Beauty" in the history of Western Medieval Philosophy : Neoplatonic Tradition and its Historical Development

     View Summary

    Our project aims at the historical studies of the concept of beauty in western medieval philosophy under the influences of Neoplatonic tradition. We analyze philosophical literature of Plotinus and his descendants and of Christian philosophers, and make clear the aesthetic problems of "beauty." Our aesthetic viewpoints on them are on the identity between beauty and light, the medieval artifacts just as liturgical art, and the metaphysical concept of the transcendence of beauty. So, our project has significances on the historical research of aesthetics and medieval philosophy

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Presentations

  • The Pulpit of the Cathedral of Fidenza and Its Apocalyptic Connotations

    Yoshie Kojima

    57th International Congress on Medieval Studies, ICMS 2022, Sessions 6 , Drawing Together and Setting Apart: Pulpits and Screens in Medieval Italy, I 

    Presentation date: 2022.05

  • References to Antiquity in the Façade of Fidenza Cathedral

    Yoshie KOJIMA

    28th Annual International Scientific Symposium of the International Research Center for Late Antiquity and Middle Ages, University of Zagreb 

    Presentation date: 2021.10

    Event date:
    2021.09
    -
    2021.10
  • La ricezione e la trasformazione delle immagini devozionali occidentali in Giappone: la riproduzione della Virgen de la Antigua a Siviglia

    Yoshie KOJIMA  [Invited]

    Presentation date: 2021.02

  • Caved Adam and Eve and the Liturgy of Public Penance in Northern Italy: Sant'Antonino of Piacenza and Cathedral of Lodi

    Yoshie KOJIMA

    Liturgical Installations and Their Scupture (4-15 C.), 27th Annual International Scientific Symposium of the International Research Center for Late Antiquity and Middle Ages, University of Zagreb 

    Presentation date: 2020.10

    Event date:
    2020.10
     
     
  • Jesuit seminário dos pintores of Japan and Missionary Art in East Asia: Macau, Manila and Nagasaki

    Yoshie KOJIMA

    International Symposium: Newer Stage for Namban Historical Source Studies  (Tokyo)  Research Institute for Letters, Arts and Sciences, Waseda University

    Presentation date: 2020.01

  • Use of Flemish prints for the Namban screen representing European pastoral scene and its concealed meaning

    Yoshie Kojima

    Contact, Comparison, Conflict: Partnership LMU Munich – Waseda University, Tokyo  (Munich)  LMU Munich

    Presentation date: 2019.10

  • Christian spaces and private devotion in Japan: altars and images of the “Hidden Christians”

    Yoshie Kojima

    Contact, Comparison, Conflict: Partnership LMU Munich – Waseda University  (Munich)  LMU Munich

    Presentation date: 2019.10

  • Riflessioni sul cantiere antelamico a Fidenza, Parma e Vercelli

    Yoshie KOJIMA  [Invited]

    Sant'Andrea di Vercelli e il Gotico europeo all'inizio del Duecento  (Vercelli, Italy)  Università del Piemonte Orientale

    Presentation date: 2019.05

  • Christian art in East Asia and three port towns: Macau, Manila, and Nagasaki

    Yoshie Kojima

    (Singapore)  Asian Civilization Museum, Singapore

    Presentation date: 2019.02

  • Reception of Western prints in Japan and Namban screens

    Yoshie KOJIMA

    The Sixteenth Century Society and Conference (SCSC) 2019 annual meeting  (Albuquerque)  The Sixteenth Century Society

    Presentation date: 2018.11

  • Fumi-e: trampled images in Japan

    Yoshie Kojima  [Invited]

    Oberseminar: Forms and Norms in European Art ard Beyond  (München)  Institut für Kunstgeschichte, Ludwig-Maximilians-Universität München

    Presentation date: 2018.04

  • Reception and acculturation of sacred Christian images in Japan: Eucharistic representation and hidden Christians

    Yoshie Kojima  [Invited]

    Martin Scorsese's Silence in Context  (Tel Aviv University)  Art History Dept. Tel Aviv University

    Presentation date: 2017.12

  • イタリア対抗宗教改革期の聖母像とインド、日本 ―大阪南蛮文化館所蔵を中心に―

    児嶋由枝

    早稲田大学美術史学会総会  (早稲田大学、東京)  早稲田大学美術史学

    Presentation date: 2017.06

  • 大航海時代における日本の大陸への憧憬と世界地図 ― 香雪美術館所蔵「レパント戦闘図・世界地図屏風」―

    児嶋由枝

    東アジア文化交渉学会第9回国際学術大会  (北京外国語大学)  東アジア文化交渉学会

    Presentation date: 2017.05

  • 大航海時代における日本の大陸への憧憬と世界地図 ― 香雪美術館所蔵「レパント戦闘図・世界地図屏風」―

    児嶋由枝

    東アジア文化交渉学会第9回国際学術大会  (北京外国語大学)  東アジア文化交渉学会

    Presentation date: 2017.05

  • The Reception and Transformation of Western Devotional images in Japan: The Reproduction of the ”Virgen de la Antigua" in Seville

    Yoshie Kojima  [Invited]

    A Cópia Pictórica em Portugal, Espanha e no Novo Mundo, 1552-1752/Copies of Paintings in Portugal, Spain and the New World1552-1752  (Fundação Calouste Gulbenkian, Lisbon)  Instituto de História da Arte,Universidade Nova de Lisboa & the Spanish National Research Project COPIMONARCH, Universidad de Granada

    Presentation date: 2016.10

  • St. Michael the Archangel Holding a Monstrance in Macau: Style, Iconography, and Importance of a Christian painting in the Far-East

    Yoshie Kojima

    34th World Congress of Art History  (Peking University)  Comité International d'Histoire de l'Art(CIHA)

    Presentation date: 2016.09

  • Antelami e la committenza Pallavicino a Genova

    Yoshie Kojima

    La scultura e le altre arti: competizione, dialettiche, paragone in età medievale  (Università degli Studi di Genova)  Università degli Studi di Genova

    Presentation date: 2015.07

  • Il porto di Genova e le sculture antelamiche―riconsiderazione sulla questione provenzale

    Yoshie Kojima  [Invited]

    Mobility of Artists, Transfer of Forms,Functions, Works of Art And Ideas in Medieval Mediterranean Europe: the Role of the Ports, 22nd International Colloquium of the IRCLAMA  (Poreč, Croazia)  International Research Center for Late Antiquity and the Middle Ages (IRCLAMA) University of Zagreb

    Presentation date: 2015.05

  • The Representation of Lepanto in 16th and 17th Century Art:

    Yoshie Kojima

    Thalassic Imaginaries: the Mediterranean Sea in Language, Art and Other forms of representation  (University of Malta)  Mediterranean Institute – Razzett tal-Hursun, University of Malta

    Presentation date: 2015.01

  • 北イタリア中世美術の伝統とTacuinum Sanitatis挿絵―月歴図を中心として―

    児嶋由枝

    シンポジウム「健康全書タクイヌム・サニターティス」をめぐって、 第38回関西イタリア史研究会 研究集会  (奈良女子大学)  関西イタリア史研究会

    Presentation date: 2014.12

  • Space and Devotional Image of Namban Screen - Reception of “Counter-Reformation Art” in Japan

    Yoshie Kojima

    Space in Renaissance Italy  (Shanghai: Tha Harved Center Shanghai & Fudan University)  Villa I Tatti: The Harvard University Center for Italian Reneissance Studies (Florence)

    Presentation date: 2014.10

  • 西欧カトリック改革美術とキリシタン美術―聖像の受容と変容をめぐって

    児嶋由枝

    宗教の衝突、和解と融合:その歴史的・美術史的考察 ―スペイン、ラテンアメリカ、日本の各視座から―  (早稲田大学)  早稲田大学ヨーロッパ中世・ルネサンス研究所

    Presentation date: 2014.09

  • Hybridization and Juxtaposition - Latin, Byzantine and Islamic Art in the Palatine Chapel of Palermo –

    Yoshie Kojima

    Intercultural Hybridity in Mediterranean Civilizations  (Busan University of Foreign Studies)  Institute for Mediterranean Studies-Busan University of Foreign Studies

    Presentation date: 2014.01

  • Insediamenti monastici nell’ Emilia occidentale – il monastero benedettino di Castione Marchesi e i cistercensi

    Yoshie Kojima

    20th International IRCLAMA Colloquium - Late Antiquity and the Middle Ages in Europe: 20 Years of Research  (Poreč, Croatia)  International Research Center for Late Antiquity and the Middle Ages University of Zagreb

    Presentation date: 2013.10

  • キリスト教の布教と文化

    児嶋由枝

    第37回地中海学会大会  (同志社大学)  地中海学会

    Presentation date: 2013.06

  • Reproduction of the Virgin Image of "Salus Populi Romani" in Japan

    Yoshie Kojima

    Between East and West: Reproduction in Art, 2013 CIHA Colloquium in Naruto  (Otsuka Museum of Art, Naruto)  Comité International d'Histoire de l'Art

    Presentation date: 2013.01

  • Giovanni Nicolao di Nola e l'arte occidental in Giappone (XVI-XVII secolo)

    Yoshie Kojima  [Invited]

    corso del Dottorato in Metodologie conoscitive per la conservazione e valorizzazione dei beni culturali  (Caserta, Seconda Università di Studi di Napoli)  Seconda Università di Studi di Napoli, Dipartimento di Studio della Componenti Culturali del Territorio

    Presentation date: 2012.03

  • L'arte gesuita in Giappone e Giovanni Nicolao

    Yoshie Kojima

    IV ciclo de conferencias relaciones España-Asia Oriental  (Universidad de Sevilla)  Universidad de Sevilla, Departamento de Historia del Arte.

    Presentation date: 2012.03

  • 北イタリア・ロマネスク聖堂ファサードの「アダムとエヴァ」―罪の図像と悔悛の扉口

    児嶋由枝

    第11回新約聖書図像研究会例会  (立教大学)  新約聖書図像研究会

    Presentation date: 2011.12

  • キリシタン美術と対抗宗教改革期のイタリア美術

    児嶋由枝

    第64回美術史学会全国大会  (同志社大学)  美術史学会

    Presentation date: 2011.05

  • Reception of “Counter-Reformation Art” in Japan XVIII International Congress of Aesthetics

    Yoshie Kojima

    XVIII International Congress of Aesthetics “The global and the local: Western and non-Western aesthetics”  International Congress of Aesthetics

    Presentation date: 2010.08

  • Il calice taumaturgico di San Donnino nella cripta del Duomo di Fidenza

    Yoshie Kojima  [Invited]

    Convegno internazionale: la cattedrale di Padova nel medioevo europeo  (Università degli studi di Padova)  Università degli studi di Padova

    Presentation date: 2009.10

  • Sin and Penance: Carved “Adam and Eve" on Romanesque Façades in Northern Italy

    Yoshie Kojima

    45th International Congress on Medieval Studies, Kalamazoo  (Western Michigan University (Kalamazoo MI,USA))  Western Michigan University

    Presentation date: 2009.05

  • 北イタリア・ロマネスク聖堂の彫刻装飾図像研究 -アダムとエヴァの図像を中心に-

    児嶋由枝

    日本西洋史学会大会  (新潟大学)  日本西洋史学会

    Presentation date: 2007.06

  • On the Transportation of the European Luxuary Object in the 16th and 17th Century Japan

    Yoshie Kojima

    XIV International Economic History Congress, Session 25 “Luxury Production, Consumption and the Art Market in Early Modern Europe”  (University of Helsinki, Finland)  International Economic History Congress

    Presentation date: 2006.08

  • フィデンツァ大聖堂ファサード彫刻と聖人祝祭

    児嶋由枝

    地中海学会大会  (北海学園大学)  地中海学会大

    Presentation date: 2004.06

  • フィデンツァ大聖堂のアンテーラミ - ベネデット・アンテーラミのクロノロジーと彼の様式形成をめぐって-

    児嶋由枝

    美術史学会東支部会例会  (東京大学)  美術史学会

    Presentation date: 1998.07

  • パルマ洗礼堂の2つの洗礼盤 - そのタイポロジーとイタリア中世都市国家における洗礼堂の意味

    児嶋由枝

    美学会全国大会  (東京芸術大学)  美学会

    Presentation date: 1997.10

  • メディチ家礼拝堂の空間表現について

    児嶋由枝

    美学会東支部例会  (早稲田大学)  美学会

    Presentation date: 1990.03

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Specific Research

  • 長崎のかくれキリシタンの信仰具の調査―貝を中心に

    2020  

     View Summary

    生月、平戸、そして五島列島など長崎各地には各種のかくれキリシタン信仰具が伝わっている。2020年度は本来であれば、特に貝を用いた信仰具を中心に現地調査を進める予定であったが、新型コロナ感染拡大のため実施が叶わなかった。その代わりとして、生月に数多く伝わっている聖画「お掛け絵」に関して、特に貝を暗示させる造形に注目して研究を進めた。そして、従来考えられていたような土着の信仰や風習に拠るものとは言えないことが明らかとなった。そもそも、「お掛け絵」に見られる西欧対抗宗教改革期における聖像の基本的要素、造形的には根本的な改変を被っているとは言い難いのである。貝は元来「海の星」とされる聖母マリアと関係が深く、特に真珠貝はマリアの処女性と関連付けられてきているのである。ただ、「お掛け絵」を繰り返し描き直すことにより、こうした本来の宗教的意味は失われ、貝と関連するモティーフという造形のみが信仰と結びついて残存したのである。

  • 対抗宗教改革期宣教美術の日本における受容と変容-《大天使ミカエル》を中心に

    2018  

     View Summary

    本研究においては特に、マカオのサン・パウル聖堂美術館にある《大天使ミカエル》、及び2015年に長崎県生月島で発見された“かくれキリシタン”の聖画《大天使ミカエル》に焦点をあてた。申請者の科研費研究の対象となる宣教美術において《大天使ミカエル》図像は特異な位置付けであり、科研費とは別にさらに詳細に検証する必要があるからである。そして、日本における《大天使ミカエル》図像の特徴が明らかとなった。特に、これら双方の《大天使ミカエル》に見られる“聖体”の表現に着目する。対抗宗教改革期(カトリック改革期)に宣教地において信じられていた“聖体”の持つ奇蹟的な力について具体的に検証できたのは重要といえる。

  • イタリア対抗宗教改革美術の展開と日本におけるその受容-S・プルツォーネを中心に

    2017   児嶋 由枝

     View Summary

    報告者はイタリアにおける対抗宗教改革美術の展開を、最近の研究の成果を踏まえて再検討するとともに、東アジア、特に日本におけるその受容の様相を明らかにするこという大きな視野のもとに、本研究においては特に、対抗宗教改革美術を代表する画家として近年研究が進んでいるシピオーネ・プルツォーネが描いた聖母像のコピーの伝播に焦点をあてて、研究を進めた。そして、大阪南蛮文化館蔵《悲しみの聖母》が、一連のプルツォーネ周辺に帰される《聖母像》群に連なるものであり、さらに、このこの類型の《聖母像》がムガル朝第四代皇帝ジャハーンギールに愛され、ムガル朝細密画に描かれていることを明らかにした。

 

Syllabus

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