Updated on 2022/05/25

写真a

 
KASAI, Amane
 
Affiliation
Affiliated organization, Waseda Institute for Advanced Study
Job title
Assistant Professor(without tenure)
Homepage URL
https://www.waseda.jp/inst/wias/other-en/2020/04/01/6915/
Profile
近代以降の日本において、音楽をめぐる概念や価値観、機能、イメージなどはいかに構築されてきたのか、という問いを一貫して追究している。複数ジャンルの音楽が交差し作用しあうメディアを事例とし、近年は特に①戦前の日本ないし日本の植民地で製作された映画②博覧会や紀念祭などのメディア・イベント③温泉などの観光地について調査を進める。既存の視座ではこぼれ落ちるような事象を掬うべく、学際的なアプローチを試みている。

Concurrent Post

  • Faculty of Letters, Arts and Sciences   School of Humanities and Social Sciences

  • Faculty of International Research and Education   Graduate School of Asia Pacific Studies

  • Faculty of Letters, Arts and Sciences   School of Culture, Media and Society

Education

  • 2007.04
    -
    2010.03

    Tokyo University of the Arts  

  • 2005.04
    -
    2007.03

    Tokyo University of the Arts  

Degree

  • 2010.03   Tokyo University of the Arts   Ph.D. in Musicology

Research Experience

  • 2021.04
    -
    Now

    Waseda University   Faculty of Letters, Arts and Sciences

  • 2020.04
    -
    Now

    Waseda University   Tsubouchi Memorial Theatre Museum

  • 2020.04
    -
    Now

    International Research Center for Japanese Studies   Adjunct Researcher

  • 2020.04
    -
    Now

    Toho Gakuen School of Music   Music Department   Part-time Lecturer

  • 2016.04
    -
    2021.03

    Tokyo University of the Arts   Graduate School of Global Arts   Part-time Lecturer

  • 2018.04
    -
    2020.03

    Keio University   Faculty of Law   Part-time Lecturer

  • 2018.04
    -
    2020.03

    Senshu University   School of Network and Information   Part-time Lecturer

  • 2017.04
    -
    2020.03

    International Research Center for Japanese Studies   Co-researcher

  • 2015.04
    -
    2020.03

    Otsuma Women's University   Faculty of Home Economics   Part-time Lecturer

  • 2013.04
    -
    2020.03

    Seijo University   Part-time Lecturer

  • 2012.04
    -
    2020.03

    Waseda University   Theatre Museum   Adjunct Researcher

  • 2011.04
    -
    2020.03

    Otsuma Women's University Junior College Division   Part-time Lecturer

  • 2017.04
    -
    2019.03

    Yokohama National University   College of Education   Part-time Lecturer

  • 2015.04
    -
    2019.03

    Kyoto University of Art and Design   Faculty of Art and Design (Correspondence Education)   Part-time Lecturer

  • 2015.04
    -
    2017.03

    Tokyo University of the Arts   Performing Arts Center   Part-time Lecturer

  • 2014.04
    -
    2016.03

    Seikei University   Department of English and American Literature   Part-time Lecturer

  • 2013.04
    -
    2016.03

    Tokyo University of the Arts   Part-time Lecturer

  • 2010.04
    -
    2013.03

    Tokyo University of the Arts   Research Associate

  • 2011.07
    -
    2011.09

    University of Cambridge   Faculty of Music   Visiting Scholar

  • 2007.04
    -
    2008.03

    Tokyo University of the Arts   Teaching Assistant

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Professional Memberships

  • 　
    　
    　

    Association for Cultural Studies

  • 　
    　
    　

    THE JAPANESE ASSOCIATION FOR THE STUDY OF POPULAR MUSIC

  • 　
    　
    　

    洋楽文化史研究会

  • 　
    　
    　

    THE MUSICOLOGICAL SOCIETY OF JAPAN

  • 　
    　
    　

    THE SOCIETY FOR RESEARCH IN ASIATIC MUSIC

 

Research Areas

  • Cultural anthropology and folklore

  • History of arts

  • Theory of art practice   Musicology

  • Japanese history

  • Aesthetics and art studies

Research Interests

  • Musicology

  • Sound studies

  • Cultural tourism

  • Global Japanese Studies

  • History of culture and representation

Papers

  • Desire Sung with a Lisp: Chinese Women Represented in Japanese Popular Songs During Wartime

    KASAI, Amane

    WIAS Discussion Paper   2020 ( 008 ) 1 - 15  2021.02

  • The Ideologies of Pan-Asianism and Localism in Music Propaganda: Articles and Exhibitions on Wartime Music

    KASAI, Amane

    JunCture   ( 9 ) 60 - 72  2018.03  [Invited]

  • Representation of “China” in New Revue Works during the Second Sino-Japanese War: Focusing on Takarazuka Revue

    KASAI, Amane

    Studies in Dramatic Art   ( 40 ) 87 - 101  2017.03  [Refereed]

  • Sound of Post-War Japan: Representation of “Japaneseness” through Music at Expo ‘70

    KASAI Amane

    Trans-Asia Popular Music Studies   ( 1 ) 5 - 16  2015.03

  • Preparatory Study for Auditory Elements in Propaganda Films shown in Colonial Taiwan

      ( 12 ) 48 - 66  2015.03  [Refereed]

  • 从日本初期有声电影看来音乐类型观的变迁

    KASAI Amane

    Anthology of International Council for Music of China and Japan   10  2013.03  [Refereed]

  • Music and Tourism in Early Modern Japan: Hot Spring Resorts as Tourists' Musical Community.

    KASAI Amane

    Soundtracks Conference: Music, Tourism and Travel     1 - 12  2012.08  [Refereed]

  • Dancing All the Way to the War: Disciplinary Power in Exercising to Music in Early Modern Japan.

    KASAI, Amane

    Theatre and Film Studies 2011 vol. 5     65 - 80  2012.03  [Refereed]

  • Singing 'Touching Tales': Cultural Image Strategy in Modern Japan

    KASAI, Amane

    Theatre and Film Studies 2010 vol.3     61 - 80  2011.03  [Refereed]

  • Displayed Musical Instruments in Modern Japan: Focusing on the Expositions during the Meiji Era.

    Bulletin of the Faculty of Music, Tokyo University of the Arts   36   37 - 49  2010  [Refereed]

  • Representation of “Music” at Festivals in Modern Japan.

    PhD thesis, Tokyo University of the Arts    2009

  • Japanese Colonialism in Dances in Modern Expositions: Focusing on Okinawan and Taiwanese Dances.

    Journal of Society for Research in Asiatic Music   ( 73 ) 21 - 41  2008  [Refereed]

  • Representing “Japanese Music” for European World Expos in the late 19th century: Focusing on the Exposition in Paris, Vienna and Chicago.

    Anthology of International Council for Music of China and Japan   7   429 - 437  2007  [Refereed]

  • The Expositions and Music in Meiji Era: Reconsidering History of Modern Music in Japan.

    MA thesis, Tokyo University of the Arts    2007

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Books and Other Publications

  • Reflecting on an Ear for Sound: History, Embodiment and Technology

    Shuhei Hosokawa( Part： Contributor, Travelling Audience: Auditory Environment at Hot Springs.)

    Artes Publishing Inc.  2021.10 ISBN: 9784865592405

  • 移動するメディアとプロパガンダ : 日中戦争期から戦後にかけての大衆芸術

    西村, 正男, 星野, 幸代( Part： Contributor, 「音楽プロパガンダにおける「差異」と「擬態」：戦時下日本の「満支」をめぐる欲望」)

    勉誠出版  2020.03 ISBN: 9784585227137

  • Films in Colonial Taiwan: Studies on Discovered Propaganda Films

    MISAWA, Mamie( Part： Contributor, "A Study on Auditory Elements in Cultural Films shown in Colonial Taiwan")

    University of Tokyo Press  2017.08

  • Music Culture after WWII

    TONOSHITA, Tatsuya( Part： Contributor, "Apple Song" "Japan World Exposition '70")

    Seikyusha  2016.01

  • The Sino-Japanese War from Multiple Perspectives: Friction of Politics, Economics, Military Affairs, Culture and Ethnic Groups

    BABA, Takeshi( Part： Contributor, "Cultural Maneuvering and Values about Music Genres in Manchuria during the Second Sino-Japanese War")

    Shukosha  2015.05

  • Representation of “Music” at Festivals in Modern Japan.

    ( Part： Sole author)

    Contentsworks  2012.05

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Misc

  • 書評 真鍋昌賢編著『浪花節の生成と展開――語り芸の動態史にむけて』

    KASAI, Amane

      67 ( 1 ) 52 - 54  2021.11  [Refereed]  [Invited]

    Book review, literature introduction, etc.  

  • 日本音楽学会支部横断企画「日本の映画音楽・音響研究の現在」 第2日傍聴記

    葛西 周

    日本音楽学会ウェブサイト     1 - 4  2015.12  [Invited]

  • 書評 東谷護編著『ポピュラー音楽から問う——日本文化再考』

    葛西 周

    東洋音楽研究   ( 80 ) 73 - 77  2015.08  [Refereed]

    Book review, literature introduction, etc.  

  • 地域横断的な「国民楽派」の議論に向けて——日本における関連用語の混乱を例に——

    葛西 周

    京都大学地域研究総合情報センターディスカッション・ペーパー   ( 49 ) 9 - 12  2015.03  [Invited]

    Rapid communication, short report, research note, etc. (bulletin of university, research institution)  

  • 音楽にみる境界線のポリティクス——博覧会における「植民地」の展示から——

    葛西 周

    日本のポピュラー音楽をどうとらえるか3——文化装置としての東アジア——     41 - 53  2014.07  [Invited]

    Meeting report  

  • 日本ポピュラー音楽学会第 25 回大会シンポジウム報告

    KASAI Amane

    jaspm NEWSLETTER   ( 99 ) 2 - 4  2014.03  [Invited]

    Meeting report  

  • 成城大学グローカル研究センター公開シンポジウム報告

    KASAI Amane

    jaspm NEWSLETTER   ( 92 ) 7 - 9  2012.06  [Invited]

    Meeting report  

  • 第56回定例研究会川崎瑞穂氏発表報告

    葛西 周

    東洋音楽学会東日本支部だより   ( 26 ) 10  2011  [Invited]

    Meeting report  

  • 第37回定例研究会橘川友里氏発表報告

    葛西 周

    東洋音楽学会東日本支部だより   ( 17 ) 15  2008  [Invited]

    Meeting report  

  • 第30回定例研究会當麻亜紀子氏発表報告

    葛西 周

    東洋音楽学会東日本支部だより   ( 14 ) 11  2007  [Invited]

    Meeting report  

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Works

  • 楽曲解説 「Arts&Science LAB. 竣工記念コンサート 色舞奏」（於 東京芸術大学奏楽堂）、ラフマニノフ《チェロ・ソナタ》・シューベルト《八重奏曲》

    葛西 周 

    2015.05
    -
    　

  • 書評「「ミュージアム」を解体する――「記憶の場」に潜む知略――」『図書新聞』2918/4

    葛西 周 

    2009
    -
    　

  • 楽曲解説 「アンドリュー・マリナー＆東京フレンズ」（於 津田ホール）、ピアソラ《タンゴ・バレエ》ほか

    葛西 周 

    2008
    -
    　

  • 楽曲解説翻訳 「デュオ・セレナーデ」（於 イタリア文化会館）、バルトーク《２つのヴァイオリンのための44の舞曲》ほか

    葛西 周 

    2007
    -
    　

  • 楽曲解説 「国際音楽祭ヤング・プラハ」（於 第一生命ホール）、ヴィラ＝ロボス《ブラジル風バッハ》ほか

    葛西 周 

    2006
    -
    　

  • 楽曲解説翻訳 「アジア・ユース・オーケストラ」（於 東京オペラシティコンサートホール）、ドビュッシー《交響詩「海」》ほか

    葛西 周 

    2004
    -
    　

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Research Projects

  • Resonating Across Oceanic Currents : A Maritime History of Popular Music in and from Japan, 1920s-1960s

    European Union’s Horizon 2020 Research and Innovation Programme under the Marie Skłodowska-Curie grant agreement No 846143/WIAS Top Runners’ Lecture Collection

    Project Year :

    2021.05
    -
    2024.03
     

    Amane Kasai, Yuiko Asaba

  • 日本における音楽体験の場としての観光地の研究

    日本学術振興会  科学研究費助成事業 基盤研究(C)

    Project Year :

    2020.04
    -
    2023.03
     

    葛西 周

  • 建国初期中国を移動する身体芸術メディア・プロパガンダ―戦時期からの継承と展開

    日本学術振興会  科学研究費助成事業 基盤研究(A)

    Project Year :

    2018.04
    -
    2022.03
     

    星野 幸代, 葛西 周, 韓 燕麗, 邵 迎建, 城山 拓也, アン ニ, 楊 韜, 西村 正男

    　View Summary

    研究成果のうち、口頭発表では、 European Association of Chinese Studies（英国、グラスゴー）、Dance History Association(マルタ、バレッタ）、Association of Estudios de Asia Oriental（スペイン、マラガ）および台湾大学、清華大学（中国）、台湾中央研究院（以上、招待講演２件含む）等、英語圏および中国語圏での多数の発信を達成することが出来た。著書は２０１８年度内は２件にとどまったが、２０１９年度中の出版は６件（英文書１件含む）と多数決定している。
    研究集会としては、シンポジウム１件およびセミナー一件を企画した。シンポジウム「〈帝国〉日本の少女文化」は戦前～戦中の日本の少女・女学生文化が戦後１９６０年代にかけて東アジアで如何に受容されたか、またポストコロニアル的状況での継承の可能性を、韓国、台湾、中国、日本の専門家によって検証した。セミナー「戦後における日本＝香港映画交流ことはじめ
    ――岸関子・佐伯隆敏の活動から―」では、戦後日本と香港の映画界、すなわち張善コンの新華公司、キャセイやショウ・ブラザーズの俳優、監督、スタッフに通訳として直接関わった岸陽子氏（早稲田大学名誉教授）を招き、国交が無かったために研究が空白状態にある１９５０－６０年代日本と香港の映画製作・映画人交流について、実り多い証言資料を得、質疑を交わした。

  • A Cultural History of Sound and Hearing

    International Research Center for Japanese Studies  Team Research Project

    Project Year :

    2017.04
    -
    2020.03
     

    HOSOKAWA Shūhei

  • Transition of Values on Music Genres in East Asia before and during World War II

    Japan Society for the Promotion of Science  Grants-in-Aid for Scientific Research Grant-in-Aid for Young Scientists (B)

    Project Year :

    2015.04
    -
    2019.03
     

    KASAI Amane

    　View Summary

    This research reveals how values or labels have historically been put on music genres as well as how national identity has been established in relation to each genre of music, contrasting cases in East Asia before and during World War II. It investigates the musical terminology used in newspapers, magazines, radio programs or records to clarify its contexts and meanings. In terms of conceptualization and musical performances, it also considers how each genre of music has been connected to the propaganda and restructured according to the cultural policy.

  • Art of Propaganda Medium before the Foundation of People's Republic of China

    Japan Society for the Promotion of Science  Grants-in-Aid for Scientific Research Grant-in-Aid for Scientific Research (B)

    Project Year :

    2015.04
    -
    2018.03
     

    Hoshino Yukiyo

    　View Summary

    After the Sino-Japanese war, a lot of Chinese intellectuals moved to the coastal cities that the Japanese troops had withdrawn. They promptly established bases for publishing media, theater, and movies. Next, due to the civil war between the Kuomintang and the Communist Party, an intellectual outflow to Hong Kong and Taiwan occurred. During this chaotic period, the literary ideology of the Communist party had not completed yet. Therefore, there were diverse and fruitful achievements in physical and visual art as well as in literature. Further, we revealed the process of establishing the initial infrastructure of art education.
    Finally, we got research results of 26 academic papers, 54 research papers and 14 books (including co-authored).

  • Comparative historical research on the representation of music in colonial films in early modern Japan

    Japan Society for the Promotion of Science  Grants-in-Aid for Scientific Research Grant-in-Aid for Young Scientists (B)

    Project Year :

    2012.04
    -
    2015.03
     

    KASAI Amane

    　View Summary

    This study deals with auditory elements in films produced or screened in the former Japanese colonies, to examine their backgrounds and functions during the World War II. As a preliminary research, the state of remaining films has been confirmed, while articles on film music in newspapers and magazines have been compiled into a database.
    The analysis of such texts and discourses clarifies (1) commissions to compose music for films newly made in the colonies, (2) trends in adopting existing musical pieces for them, (3) filmmakers’ policies on music, and (4) influences from cultural censorship on film music.

  • Artistic Activities Opposing or Supporting the Empire of Japan: Song, Drama, and Dance as Propaganda Media

    Japan Society for the Promotion of Science  Grants-in-Aid for Scientific Research Grant-in-Aid for Scientific Research (B)

    Project Year :

    2012.04
    -
    2015.03
     

    HOSHINO Yukiyho, KASAI Amane, SHO Geiken, AN Ni, YO To, NISHIMURA Masao

    　View Summary

    We’ve been doing research on the anti-Japanese artistic activities under Japanese occupation or invasion in the 1940s. At present, we found that Chinese intellectuals or artists had to select their ways as the invasion of the Empire of Japan : to cooperate with the Japanese, to resist them, or to be a spy. Some danced to contribute to the Chinese army, others composed popular songs for the Japanese people or for the Chinese victims, and others produced anti-Japanese dramas. In many cases, these dancers, musicians, writers, movie-makers and actors worked together.

  • Studies on the function of music in Japanese colonial policy : The case of Taiwan and Korea in the 1930s-40s

    Japan Society for the Promotion of Science  Grants-in-Aid for Scientific Research Grant-in-Aid for Research Activity start-up

    Project Year :

    2010
    -
    2011
     

    KASAI Amane

    　View Summary

    This study aims to clarify how music was utilized in colonial Taiwan and Korea from two perspectives :(1) strategy of adopting Japanese music in colonies, and(2) cultural identity formed through indigenous music practices. It argues how music was contested or imbedded locally, and what kind of responses the music elicited, by researching three media :(1) articles concerning music in newspapers and magazines published in colonies,(2) mass media events such as expositions or festivals, and(3) entertainment reproduced media works such as records and films.

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Presentations

  • Sing in a Feigned Voice: Fabricated Narratives in Popular Music

    KASAI, Amane  [Invited]

    TCS International Symposium "The Cultural History of Sound/Voice" 

    Presentation date： 2022.01

    Event date：
    2022.01
    　
    　

  • Introduction to Hot Spring Musicology: Entertainers at Tourist Sites

    Amane Kasai, Mishiro Kurama, Daigoro Tachibana

    Waseda Culture and Arts Week 2021: WIAS Young Researchers Project 

    Presentation date： 2021.10

  • Dubbed in Patois: Musical Mimicry Involving the Chinese in Wartime Japanese Popular Songs

    Amane Kasai

    Resonating Across Oceanic Currents: A Maritime History of Popular Music in and from Japan, 1920s-1960s 

    Presentation date： 2021.10

  • Regional Images Formed by Musical Performances in Hot Spring Resorts: Focusing on 'Hawaii in Japan'

    KASAI, Amane

    JASPM the 32nd Annual Conference 

    Presentation date： 2020.12

    Event date：
    2020.12
    　
    　

  • Tourist Sites as “Live Music Venues”: Reconsidering Musical Experience from Cross-Genre Viewpoints

    KASAI, Amane

    The 71st Annual Meeting of the Musicological Society of Japan 

    Presentation date： 2020.11

    Event date：
    2020.11
    　
    　

  • The Ambitious Fantasy of a Pan-Asian Music: Relative Musical Values in Wartime Japan.

    KASAI, Amane

    Royal Music Association 56th Annual Conference 

    Presentation date： 2020.09

  • Imperializing Ear: Listening "the Others" in Modern Japan

    KASAI Amane

    Presentation date： 2020.01

  • The Possibilities of Music Tourism Studies

    KASAI Amane

    JASPM the 31th Annual Conference 

    Presentation date： 2019.12

  • Easy, Light and Degenerate: Aesthetic Values in Classifying Music in Japan

    KASAI Amane

    21st International Congress of Aesthetics 

    Presentation date： 2019.07

  • Theatrical Revues at Hot Spring Resorts in Japan

    KASAI Amane

    Asociación Española de Estudios de Asia Oriental 1st International Conference 

    Presentation date： 2018.06

  • Hot Spring Resorts as Performance Spaces

    KASAI, Amane

    The Study Group of "History of Sonic and Auditory Culture", International Research Center for Japanese Studies 

    Presentation date： 2018.02

  • Rethinking Performance Spaces from the Perspective of “Music Tourism Studies”: Focusing on Hot Spring Resorts in Japan

    KASAI Amane

    The 12th Sino-Japanese Comparative Music Symposium 

    Presentation date： 2017.09

  • Reconsidering the Theory of "Decolonization of the Ear": A Case of Hawaiian Music as a Vernacular Music in Japan

    KASAI, Amane

    JASPM the 28th Annual Conference 

    Presentation date： 2016.12

  • 听觉体系中表现出的“中国性”——以战时宝塚歌剧的乐曲为事例

    KASAI, Amane

    The International Symposium "Propaganda Media Representations in 1940s" 

    Presentation date： 2016.10

  • Music in Cultural Films Shown in Colonial Taiwan: Focusing on "All-Taiwan"

    KASAI, Amane

    The Study Group of "Film in Colonial Taiwan" 

    Presentation date： 2016.09

  • "Overseas Territories" in Revues: Centering on Takarazuka Revue during the Second Sino-Japanese War

    KASAI, Amane  [Invited]

    Japan Comparative Literature Association the 40th Chubu Annual Conference 

    Presentation date： 2016.05

  • Music Performances as a Hobby in Wartime: Comparative Research of Japan, Taiwan and China

    KASAI, Amane

    The Study Group of "Propaganda and Media Representations Just Before the Founding of China" 

    Presentation date： 2015.11

  • Adoption and Development of Mandolin in Japan: As an Example of the Prewar Amateur Music Activities

    KASAI, Amane

    The 11th Sino-Japanese Comparative Music Symposium 

    Presentation date： 2015.11

  • Participation of Japan in Expos during the Meiji Era: Focusing on Displayed Musical Instruments and Documents

    KASAI, Amane  [Invited]

    The Study Group of "Expos and Human History", International Research Center for Japanese Studies 

    Presentation date： 2015.10

  • A Study on Music Used in Cultural Films in Colonial Taiwan

    KASAI, Amane  [Invited]

    The Study Group of "Modeling Diversified Research of Historical Materials of East Asian Films during the Colonial Period" 

    Presentation date： 2014.10

  • 「大東亜音楽」という思想——戦時下のプロパガンダにおける音楽学者による民族音楽の位置付け

    KASAI Amane

    The Artistic Collaborations between Japan and China under the Sino-Japanese War 

    Presentation date： 2014.09

  • On the Borderline: How to Identify the Genre of Music。

    KASAI Amane

    Inter-Asia Popular Music Studies Conference 

    Presentation date： 2014.08

  • 「頽廃音楽」から「日本的軽音楽」へ——太平洋戦争期の日本における音楽統制の理念

    葛西 周  [Invited]

    東アジアの情報統制と地域間・メディア間におけるテキスト変容に関する総合的研究 例会 

    Presentation date： 2014.02

  • 音楽にみる境界線のポリティクス——博覧会における「植民地」の展示から

    葛西 周  [Invited]

    成城大学グローカル研究センター公開シンポジウム「日本のポピュラー音楽をどうとらえるか3」 

    Presentation date： 2014.01

  • Purified Music by Cultural Imperialists: Representation of “Decadent Music” in Japan-occupied Manchuria.

    KASAI Amane

    The 2nd Biennial Conference of the East Asian Regional Association of International Musicological Society 

    Presentation date： 2013.10

  • 抗战时期满洲的日本人爵士乐演奏家、作曲家、流行歌手

    KASAI Amane

    “抗战时期的文化人”学术检讨会议 

    Presentation date： 2013.09

  • Labeling Music: Classification of “Pure Music” and “Light Music” in Japan.

    KASAI Amane

    Korean-Japanese Exchange Seminar in Musicology 

    Presentation date： 2013.08

  • Some Music in Your Coffee? : Café as a Place for Music Experience in Modern Japan.

    KASAI Amane

    IASPM 17th International Conference 

    Presentation date： 2013.06

  • 日本の初期トーキー映画にみる音楽ジャンル観の変遷

    葛西 周

    第10回日中音楽比較研究国際学術会議 

    Presentation date： 2013.03

  • 日中戦争期の音楽にみる「大陸」表象——満洲国民音楽の模索と音楽ジャンル観の関連から

    葛西 周  [Invited]

    第11回日中戦争史研究会 

    Presentation date： 2012.09

  • Sound of Postwar Japan: Representation of “Japaneseness” through Music in Osaka Expo ‘70

    Inter-Asia Popular Music Studies Conference 

    Presentation date： 2012.07

  • Music and Tourism in Early Modern Japan: Hot Spring Resorts as Tourists' Musical Community

    Soundtracks International Conference: Music, Tourism and Travel 

    Presentation date： 2012.07

  • Modernization of Music in Japan.

     [Invited]

    World Music Week 2011 

    Presentation date： 2011.11

  • Modernizing Music: Cultural Imperialism in Japan

     [Invited]

    Special Lecture at The Graduate Institute of Musicology, National Taiwan University 

    Presentation date： 2011.03

  • Representation of “Music” at Festivals in Modern Japan.

    Society for Research in Asiatic Music 

    Presentation date： 2010.07

  • Music tells Tales of/for Nationals: Process of the formation of national images in Modern Japan.

    Society for Cultural History of Western Music 

    Presentation date： 2010.06

  • Dancing with the War: Disciplinary Power via Exercise Music in Early Modern Japan

    ACS Crossroads Conference 

    Presentation date： 2010.06

  • What is the “Right” Music?: Analyzing Magazine Articles during WWII.

    Annual All-Japan Conference of Musicological Society of Japan 

    Presentation date： 2008.10

  • Dances in Taiwan Exposition 1910: Japanese Colonialism in “Autochthonous Dances” and “New Nagauta.”

    Annual All-Japan Conference of Society for Research in Asiatic Music 

    Presentation date： 2007.11

  • Representing “Japanese Music” for European World Expos in the late 19th century: Focusing on the Exposition in Paris, Vienna and Chicago.

    International Council for Music of China and Japan 

    Presentation date： 2007.09

  • The Expositions and Music in Meiji Era: Reconsidering History of Modern Music in Japan.

    Musicological Society of Japan 

    Presentation date： 2007.07

  • 明治期日本の博覧会と音楽――近代日本音楽史の再検討という視点から

    東洋音楽学会東日本支部第30回定例研究会 

    Presentation date： 2007.03

  • 雅楽の「源流」探求――南都・天王寺楽所の行事に見る伝統継承とその変遷

    東洋音楽学会東日本支部第19回定例研究会 

    Presentation date： 2005.04

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Specific Research

  • パフォーマンス空間の日本史：通ジャンル的日本音楽論

    2021  

    　View Summary

    　本研究は、日本音楽史をジャンル横断的に記述するアプローチとして、パフォーマンスの場の展開に焦点を絞り、現代の音楽体験や慣習を前近代からの（不）連続性という観点から捉え直すことを試みた。コロナウイルスの影響が続き、現存する歴史的舞台の実地調査は実現できなかったが、10月に早稲田文化芸術週間「高等研究所若手研究者企画」でトークイベントの企画を担当し、日本の温泉地で活動する複数のジャンルのパフォーマーを大学に招いて、パフォーマンスの慣習に関する貴重な証言を得ることができた。

 

Syllabus

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Teaching Experience

  • Seminar in Art History (Western Art)

    Waseda University  

    2021.04
    -
    Now
     

  • Introduction to Japanese Music

    Toho Gakuen School of Music  

    2020.04
    -
    Now
     

  • ＷＲＤ：思考し、発信する力を養う（初年次教育）

    成城大学文芸学部  

  • 楽書講読（英語）

    東京芸術大学音楽学部楽理科  

  • アジア文化研究

    東京芸術大学大学院音楽研究科音楽文化学専攻  

  • 英語第Ⅰ

    慶應義塾大学法学部  

  • English Language and Cultures

    専修大学ネットワーク情報学部  

  • Intermediate English

    専修大学ネットワーク情報学部  

  • Basics of English

    専修大学ネットワーク情報学部  

  • 日本近現代音楽史

    横浜国立大学教育学部  

  • 音楽学ゼミナール

    成城大学文芸学部  

  • 芸術学・美術史基礎演習

    成城大学文芸学部  

  • 音楽入門

    成城大学文芸学部  

  • 音楽から見た文化

    大妻女子大学短期大学部  

  • 文化批評の基礎

    大妻女子大学短期大学部  

  • 劇場芸術論

    東京芸術大学演奏藝術センター  

  • コンサート・プロデュース論

    東京芸術大学演奏藝術センター  

  • 伝統文化：日本文化と海外文化

    京都造形芸術大学通信教育部  

  • 音楽の世界

    大妻女子大学家政学部・短期大学部  

  • 国際社会セミナーIII

    成蹊大学文学部英米文学科  

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Committee Memberships

  • 2018.04
    -
    2019.03

    日本ポピュラー音楽学会  2018年度大会実行委員

  • 2013.09
    -
    2018.03

    日本音楽学会  東日本支部通信幹事

  • 2015
    -
    　

    東洋音楽学会  第66回大会実行委員

  • 2012.04
    -
    2013.03

    日本ポピュラー音楽学会  2012年度大会実行委員

  • 2010.04
    -
    2011.03

    日本ポピュラー音楽学会  2010年度大会実行委員

  • 2008
    -
    　

    洋楽文化史研究会  渉外担当幹事

  • 2005
    -
    　

    東洋音楽学会  参事／情報委員、2006年度選挙管理委員

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