KITAMURA, Yoko

写真a

Affiliation

Faculty of Letters, Arts and Sciences, School of Culture, Media and Society

Job title

Professor

Education 【 display / non-display

  •  
    -
    1992

    Waseda University   Graduate School, Division of Letters   フランス文学  

  •  
    -
    1992

    Waseda University   Graduate School, Division of Letters   フランス文学  

  •  
    -
    1983

    Waseda University   Faculty of Literature   フランス文学  

Degree 【 display / non-display

  • (BLANK)

  • 早稲田大学   修士(文学)

Research Experience 【 display / non-display

  • 1997
    -
    2000

    Waseda University

  • 1993
    -
    1996

    Waseda University

  • 1993
    -
    1996

    Hitotsubashi University

  • 1992
    -
    1994

    日本学術振興会特別研究員

  • 1992
    -
    1994

    The Open University of Japan

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Professional Memberships 【 display / non-display

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    日仏美術学会

 

Research Areas 【 display / non-display

  • Aesthetics and art studies

  • European literature

Research Interests 【 display / non-display

  • 仏文学、美術史

Papers 【 display / non-display

  • 「最後の印象派」としてのオートクローム・リュミエール

    早稲田大学大学院文学研究科紀要   ( 51 ) 83 - 99  2006

  • ルイ・ルロワ「第一回印象派展評」の周辺—ボードレールの不在とヴァンサン氏の錯乱—

    Etudes Francaises 早稲田フランス語フランス文学論集   ( 11 ) 53 - 80  2004.03

  • フェリックス・フェネオン—「現代生活の批評家」10

    みすず/ みすず書房   ( 499 ) 60 - 78  2002.10

  • フェリックス・フェネオン─「現代生活の批評家」9

    みすず / みすず書房   ( 479 )  2001.02

  • 不可解な芸術家ドーミエ

    『調利画を中心とするフランス七月王政期の図像学的研究』(平成10-11年度科学研究員補助金による研究成果報告書)     63 - 84  2000.03

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Books and Other Publications 【 display / non-display

  • ドーミエ版画集成

    みすず書房  1992

Research Projects 【 display / non-display

  • Icnographic study on satirical drawings and other visual culture during the July Monarchy of France

     View Summary

    The July Monarchy (1830-1848) is a very important period in the history of popular visual culture in France. This period is characterized by the following three points : (1) development of mass printing industry, and proliferation of block prints produced by new techniques such as lithograph and wood engraving, (2) crop of great illustrators and caricaturists like Grandville, Daumier, Travies, and Deveria, (3) freedom of press accorded but soon oppressed by the King Louis-Philippe, which created the "golden age of caricature".Though it is crucial to know the artistic traits of this period, we have not yet attained the level of sufficient appreciation of the full extent of the characteristics of lithographic prints and book illustrations produced then. In this study, we have tried to find a clue to that knowledge.First we collected as many plates and illustrated books of this period as possible. Then we picked out their important elements -- mythological, literary, political and historical themes that recurrently appear in these works --, and classified them. After that we analyzed the works, referring to contemporary text-documents.The following are some of the new findings obtained in our study.1 . There are some variations in the frontispieces of "la Caricature" and "le Charivari". By comparing them, we have clarified what political characteristics the editors tried to give to these satirical newspapers.2. We compared different versions of some hand-colored plates issued in "la Caricature" and have elucidated the editor's strategy for evading the censorship of the government.3. By historical tracing of the relationship between the illustrator Daumier and the critic Baudelaire, we have situated their shared aesthetic values in the artistic and literary context of the time.4. By examining the relationship between Daumier and the art critics of his day, and by studying his caricatural plates satirizing the contemporary arts, we have made clear the peculiar position of this artist

Overseas Activities 【 display / non-display

  • ベルギー・フランス出版文化研究

    2006.03
    -
    2007.03

    ベルギー   ブリュッセル自由大学

 

Syllabus 【 display / non-display